No surprises, but a pleasant read.
In the Bridget Jones tradition, young singles in London conquer self-esteem problems before finding true love: a witty if predictable fourth novel from Keyes (Lucy Sullivan is Getting Married, 1999 etc.).
Katherine, Tara, and Fintan moved to London together from their small Irish hometown and have remained best friends into their early ’30s, even though they seem to have little in common. Overly self-controlled Katherine comes across as an Ice Queen. In fact, that’s her less-than-flattering nickname at the advertising firm where she is an accountant. When a fellow worker gently flirts with her, Katherine is so afraid of her own feelings that she accuses him of sexual harassment. Tara is Katherine’s opposite: desperate for affection, she clings to her boyfriend Thomas despite his consistently rude and unpleasant behavior. Softhearted Tara also eats compulsively. (Keyes perfectly captures the overweight overeater’s mindset.) Only Fintan, who is gay and in the fashion industry, natch, has found happiness and true love with Sandro, “the Italian Pony” (he’s too small to be a stallion). Then Fintan becomes seriously ill. It’s not AIDS, but with a cancer that requires intensive chemotherapy. Fintan’s mother and brothers arrive from Ireland and stay in Katherine’s apartment, disrupting her perfect order, while Thomas refuses even to accompany Tara to the hospital. Possibly near death’s door, Fintan exacts promises from his friends to bring some happiness into their lives. He wants Tara to dump the awful Thomas and Katherine to take a chance with her office suitor, the charming and genuinely nice Joe Roth. Meanwhile, their very sophisticated Swedish friend Liv falls madly in love with Fintan’s very unsophisticated older brother Milo, a farmer who has never seen an escalator until now. Will Tara leave Thomas and get back to a size eight? Will Katherine cheat herself out of her big chance for romantic happiness? Will Fintan recover? Will Milo move back to the farm?
No surprises, but a pleasant read.Pub Date: Aug. 1, 2001
ISBN: 0-688-18072-8
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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