Beautifully written, both sharp and bighearted, funny and true.
A juicy roman à clef sympathetically imagines two young women on opposite sides of an extramarital affair.
"It is 1978 and Mel is twenty-five years old"—and like her creator did at that time, she works at a magazine which seems to be Esquire for a jerk who seems to be Gordon Lish, who recklessly edits the stories of a man who seems to be Raymond Carver. Also like Thurm, Mel is about to have her own first story published in the New Yorker at the age of 25, and she will go on to write "stories mostly in the present tense, mostly about the infinite ways, large and small, in which her characters manage to disappoint one another"—a perfect description of the selection of Thurm's stories written between 1979 and 2021 and just published as Pleasure Palace. And after she endures the events that begin on April 14, 1980, when she finds an angry note from another woman in her husband's backpack, Mel knows that "she will, the instant she’s good and ready, write the only [novel] she’s certain she is capable of writing...she’s already confident of the title: The Blackmailer’s Guide to Love." It turned out to be Thurm's ninth novel, actually, and in addition to evoking the experience of the betrayed young writer, it also fully imagines that of her nemesis. The plight of Julia Myerson unfolds in chapters that alternate with Mel's. Abused as a child, divorced from an awful man, unable to make progress on her dissertation, Julia is cobbling together a living as a dog walker and a caregiver to an elderly couple. After her longtime therapist commits suicide by jumping off a bridge, she becomes the patient of Charlie Fleischer, a caring psychologist with a sweet face, a warm smile—and a wedding ring. "She’s not stupid: she’s fully aware that falling for your therapist is a 'thing,' that it’s something that happens all the time, every day of the week. But that doesn’t render what she feels for Charlie any less meaningful, any less potent, does it?"
Beautifully written, both sharp and bighearted, funny and true.Pub Date: May 25, 2021
ISBN: 978-1-953002-00-6
Page Count: 240
Publisher: Delphinium
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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