How about we stop treating each other like this so this excellent author can write happier stories?
Marriage doesn't work, people are selfish and cranky, fate is ruthless—and Thurm is watching.
In 15 stories dated from 1979 to 2021, arranged in not-quite-chronological order, Thurm's unsparing, ironic sensibility and killer eye for detail fall on couples and families in varying degrees of disrepair. Almost every significant character is divorced or heading for a breakup, widowed, or dumped on the way to the altar. The "pleasure palace" of the title story is a gigantic, luxurious master bath planned by a young couple just before they receive the cancer diagnosis that will make it a room for one. The two newest stories, appearing for the first time here, are among the bleakest. “Banished” (2021) shows the terrible cruelty of a grown daughter to her widowed father when he brings his new girlfriend to her 40th birthday party. In “End. of. Story.” (2020) it's not enough for the narrator to have a father with dementia and a mother going blind—his long-loved wife announces she's having an affair, and even his therapist is more concerned with her own problems than his. The last line of this story, and indeed the whole book, will shock you as much as if it really happened. Though her view of things is almost unremittingly dark, Thurm is always ready with a wisecrack to take the edge off. In "Personal Correspondence," a newly single, barely coping young father responds to a poster in the laundry room from a grad student in his building who offers to write letters for other people, thank-you notes and the like. As this situation heaps one humiliation after another on the protagonist, who seems to be a literary agent, he meets with a client. Having informed him that “Your color’s ghastly and there are these big pouches under your eyes,” she goes on to ask him to choose between her ideas for her next book. " 'So,' Kristine said, 'Ritalin or incest, what do you think?' ”
How about we stop treating each other like this so this excellent author can write happier stories?Pub Date: May 25, 2021
ISBN: 1-953002-04-8
Page Count: 300
Publisher: Delphinium
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: March 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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