Actually, Thurm does know how to deliver her very sad news: with heartbreaking clarity and profound compassion.
A close-knit family struggles with griefs old and new as one of their number succumbs to memory loss.
“I don’t know how to tell you this, the doctor is saying…” “I don’t know how to tell you this, Elisabeth began…” The title of Thurm’s novel comes up twice in the narrative; twice Rachel receives news so devastating that “in a microsecond” it capsizes her life. Just a few years ago, things were really pretty good. Her husband, Jonathan, was a beloved professor at Yale; her son, Matthew, married the right woman on his third try, a young widow, and is raising two adorable children; then, as now, Rachel tried to help her fellow New Yorkers straighten out their lives as a judge in family court. She is very close to Jonathan’s mother, Szófia, a Holocaust survivor. And despite the fact that the first life-changing news she receives is of her husband’s infidelity, the couple has moved on sufficiently to celebrate their 45th anniversary with a trip to Paris—which is right about when the signs of Jonathan’s condition emerge. He suddenly announces at a restaurant that she should get out her credit card, as he will no longer be paying for her dinners: “The Jonathan Sugarman Bank of America is closed.” When they get home, they find his house keys in the microwave. The novel follows the arc of his decline, and attends to other sorrows as well, from Szófia’s terrible backstory to Matthew’s guilty obsession with his wife’s dead first husband. Precocious, hyperarticulate Luna, who lost her biological dad when she was just 2, is a bright spot for the characters and the readers. “Wait, wasn’t that one of those iconic moments for you, the first time you saw me walking?” says this 10-year-old when her elders claim they cannot recall her first steps. There is also occasional comic relief in Rachel’s courtroom, where Thurm’s signature black humor and spot-on thumbnail portraits leaven the appalling difficulties her petitioners face.
Actually, Thurm does know how to deliver her very sad news: with heartbreaking clarity and profound compassion.Pub Date: July 15, 2025
ISBN: 9781953002570
Page Count: -
Publisher: Delphinium
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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