Thurm simultaneously creates and destroys a brightly detailed domestic world in this relentlessly paced, ultimately...
A happy family on vacation in Florida is revealed to be a ticking bomb.
“While his wife, Stacy, is busy with their young son and daughter at the egg-shaped swimming pool adjacent to his mother’s condo, Roger Goldenhar will drive in his rented Toyota to an indoor, air-conditioned shooting range in Pompano Beach where they also happen to sell guns and ammo—a fact he will learn on the Internet the night before he and Stacy and the kids fly out from JFK to Fort Lauderdale.” When a man buys a gun on the first page of a book, trouble is in store. While the narrative of the Goldenhars’ trip to Florida proceeds on its relentless path, their back story is revealed in a parallel narrative, starting with the day they met in a bakery in Cambridge over a dropped credit card, bonding via a shared birthday and a taste for lemon muffins. But actually, they were never the same kind of people. Stacy, 33, is a Harvard-educated social worker still deeply shaken by the recent death of her mother, not quite ready to settle down and start a family of her own. Roger is 42, divorced, a successful real estate developer, as addicted to the “good life” of the title as Stacy is indifferent to it. Nonetheless, she falls in love with him, with his family, and with the two picture-perfect children they have soon after their marriage. Thurm (Today Is Not Your Day, 2015, etc.) has created an extremely lovable character in Stacy, and the reader’s anxiety about her situation mounts as we see everything about her husband that she does not—a little perplexing, since she works professionally with the mentally ill. All the minor characters in the novel are spot-on down to the slogans on their T-shirts (a Thurm trademark), but the book's ultimate success depends on its depiction of Roger. The explanations and triggers for his behavior are put in place one by one, yet somehow he remains a click away from real.
Thurm simultaneously creates and destroys a brightly detailed domestic world in this relentlessly paced, ultimately pitch-dark emotional thriller.Pub Date: April 15, 2016
ISBN: 978-1-57962-428-6
Page Count: 278
Publisher: Permanent Press
Review Posted Online: Dec. 22, 2015
Kirkus Reviews Issue: Jan. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
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