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YOU WERE STILL DANCING

AN UNFORGETTABLE JOURNEY THROUGH ALZHEIMER’S

Thoughtful research and beautifully examined emotions offer a full, compelling view of Alzheimer’s.

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A family’s experience with Alzheimer’s leads to deep reflections on the disease and its effects in this memoir.

The author opens her narrative by challenging readers to reconsider what they see when looking at a “beloved stranger,” her affecting term for a loved one who has been afflicted with Alzheimer’s. For Benz, her mother’s diagnoses—first mild cognitive impairment in 2008, and then Alzheimer’s a year later—were the latest in a series of gut punches to the family. “Generations of Alzheimer’s runs through my blood,” the author writes, describing how her grandmother, whom she called Ma, succumbed to the disease. She recounts the harrowing moments when her grandmother would escape the house during episodes of “Sundowners Syndrome” (a state of confusion occurring in the late afternoon) to desperately seek her baby—a child she had lost decades earlier. (Heartbreaking echoes of “Where is my baby, where is my baby?” fill the house in Benz’s haunting descriptions.) The trauma of those experiences left the author and her mother with a deep fear of Alzheimer’s, so accepting the new reality—it was now Benz’s turn to take care of her mother—was particularly difficult, even as the signs became obvious, “Like dominos falling into each other.” After breaking her arm, Benz’s mother was moved from her Cincinnati home to live with the author, her husband, and her three sons in Atlanta, leaving the author to deal with her mother’s constant pleading to return home and numerous difficult moments (she even witnessed her mother eating dog kibble on Easter). The suffering woman’s condition deteriorated from there.

Benz leads readers through the specific technical details of how Alzheimer’s attacks the brain and the complicated process of moving an elderly patient into an assisted living facility with memory care, and she evokes the helplessness of watching professionals abandon her mother as she reached an advanced stage requiring specialized hospice care until the end of her life. In describing her own emotional state throughout each of these ordeals, Benz crafts some truly beautiful turns of phrase: “Dust and dirt were spinning around us in a cataclysmic vacuum of struggle and loss,” she writes. “But, occasionally, the sun’s rays broke through.” She writes in an understated but powerful voice as she thoroughly examines the effects of Alzheimer’s from all angles, acknowledging the absurdity and even occasional moments of humor in dealing with a loved one caught in what she calls the “otherworldly ‘dementia dimension’” (Benz describes listening to her mother insist that she had jumped out of a plane with George H.W. Bush). The author’s extensive research into the disease gives her great authority when discussing it. Some chapters can feel like mere summaries of longer explanations, but she engagingly integrates striking facts throughout, such as the mention of how many gigabytes of memories the human brain makes in a day. Benz’s narrative is filled with quiet, simple moments that she imbues with profound meaning, such as simply looking up from a sandwich to see her mother smile, leading the author to vow to be more present and better honor the life in front of her—something she has certainly done with this work.

Thoughtful research and beautifully examined emotions offer a full, compelling view of Alzheimer’s.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: June 17, 2024

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LAST RITES

A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.

The late heavy metal legend considers his mortality in this posthumous memoir.

“I ain’t ready to go anywhere,” writes Osbourne in the opening pages of his new memoir. “It’s good being alive. I like it. I want to be here with my family.” Given the context—Osbourne died on July 22, 2025, two weeks after the publisher announced the news of this book—it’s undeniably sad. But the rest of the text sees the Black Sabbath singer confronting the health struggles of his last years with dark humor and something approaching grace. The memoir begins in 2018; he wrote an earlier one, I Am Ozzy, in 2010. He tells of a staph infection he suffered that proved to be the start of a long, painful battle with various illnesses—soon after, he contracted a flu, which morphed into pneumonia. A spinal injury caused by a fall followed, causing him to undergo a series of surgeries and leaving him struggling with intense pain. And then there was his diagnosis of Parkinson’s disease, the treatment of which was complicated by his longtime struggle with alcohol and drug addiction. Osbourne peppers the chronicle of his final years with anecdotes from his past, growing up in Birmingham, England, and playing with—and then being fired from—Black Sabbath, and some of his most well-known antics (yes, he does address biting the heads off of a dove and a bat). He writes candidly and regretfully about the time he viciously attacked his wife, Sharon—the book is in many ways a love letter to her and his children. The memoir showcases Osbourne’s wit and charm; it’s rambling and disorganized, but so was he. It functions as both a farewell and a confession, and fans will likely find much to admire in this account. “Death’s been knocking at my door for the last six years, louder and louder,” he writes. “And at some point, I’m gonna have to let him in.”

A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.

Pub Date: Oct. 7, 2025

ISBN: 9781538775417

Page Count: 368

Publisher: Grand Central Publishing

Review Posted Online: Oct. 7, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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