With a format that includes science, math, art, music and reading, it still manages to be what learning should be—fun.
This beautifully illustrated counting and singalong app version of the 2004 book introduces young readers to the creatures of the coral reef.
The original book is enhanced by simple, well-executed animations. With a touch or a jiggle, kids can send baby fish swimming, puffer fish puffing and squid squirting ink. After a one-by-one introduction to the featured coral-reef babies, from one octopus to 10 seahorses, a "Find the Babies" game brings them all back together for one final count. Backed by music and ocean sounds, the text is read or charmingly sung by the book's multitalented author, or readers can choose to read to themselves. True to the publisher's mission to connect children to nature, the app includes photographs and factual information about the sea life in the story. Additional pages introduce the author, illustrator, developer and publishers. Artist Canyon explains how she created the illustrations with polymer clay and tools from her kitchen in an accessible way that encourages children to create their own art projects. In fact, counting skills and science aside, her vibrant pictures of the coral-reef habitat are enough to make this app appealing to readers of all ages.
With a format that includes science, math, art, music and reading, it still manages to be what learning should be—fun. (iPad informational app. 4-8)Pub Date: March 16, 2012
ISBN: N/A
Page Count: -
Publisher: Dawn Publications
Review Posted Online: May 8, 2012
Kirkus Reviews Issue: June 1, 2012
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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