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WHERE THE DEAD PAUSE, AND THE JAPANESE SAY GOODBYE

A JOURNEY

Mockett, who speaks Japanese (though not perfectly), is an observant and respectful guide to Japanese customs, open to new...

A journey through Japanese culture and religion by a Japanese-American woman grieving for her dead father and concerned that she will be unable to pass on her heritage to her young son.

Mockett (Picking Bones from Ash, 2009) returned to Japan after the 2011 tsunami and nuclear disaster, accompanied by her mother and her young son. After visiting the family-run temple located not far from the Fukushima nuclear reactor, the author made pilgrimages to other temples, met with priests, examined their treasures and tried out different forms of Buddhist meditation. Doing so provided her with the opportunity to not only describe, often at length, present-day people, buildings, festivals, places, moods and customs, but to delve into the stories behind them. One chapter is devoted to a history of Buddhism, in which readers may be surprised to learn that if they choose, Buddhists are quite free to celebrate one of the many Shinto gods. Because of the radiation danger at the cemetery in 2011, the bones of the author’s grandfather could not be buried during that year’s Obon, the annual Buddhist festival in which ancestors' spirits return to this world to visit their relatives. At the heart of the book is the Obon festival of 2012, a time when the author visited a crematorium for a close-up look at how the Japanese treat the remains of loved ones, attended the burial for her grandfather’s bones, observed Obon’s beautiful and healing rituals, and hoped that it would bring her relief from grief over the death of her father.

Mockett, who speaks Japanese (though not perfectly), is an observant and respectful guide to Japanese customs, open to new experiences and sensitive to changes in the culture. If she sometimes rambles on or wanders off, the trip is still worth it.

Pub Date: Jan. 19, 2015

ISBN: 978-0393063011

Page Count: 352

Publisher: Norton

Review Posted Online: Oct. 19, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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