Kudos to the author for mostly avoiding her family’s “curse,” but the book, occasionally revelatory, is weighed down by...
Actress-turned-author Hemingway (Mariel’s Kitchen, 2009) ponders her life and career in light of her famous family’s self-destructive history.
Born just after her famous-author grandfather, Ernest, committed suicide in 1961, Mariel Hemingway was immediately thrust into a family legacy historically marked by suicide, alcoholism, drug addiction and mental illness. Her parents both struggled with alcohol dependency, while her sisters Muffet and Margot would fight depression their entire lives (Margot eventually died of a suicidal drug overdose at age 42). Although she grew up in rural Idaho, Mariel couldn’t resist entering the glamorous world of show business as a teenager, initially riding the coattails of Margot, who had rocketed to quick fame as a model in New York City. But with a breakout role in Woody Allen’s 1979 comedy Manhattan, Mariel’s star began eclipsing her sister’s. Mariel would then go on to a respectable career as a midlist actress in the late 1970s and 1980s, riding hit movies like Star 80 and Superman IV. In her 20s, Hemingway also found herself in one tension-filled relationship after another, first with legendary screenwriter Robert Towne, then with one of the founders of the Hard Rock Café chain—not to mention a few brief celebrity flings. Although the memoir is ostensibly about how the author conquered the so-called “Hemingway Curse,” it’s never really explicit as to how this was accomplished. However, it’s clear that Mariel never quite bought into the Hollywood dream or her own celebrity. She maturely managed her life and career without too many psychic scars and luckily ended up bypassing addiction to controlled substances or alcohol (although she did have a predilection for black coffee binges). By the end of the book, we find her psychically well-adjusted enough to be the author of a self-help book and this generically positive but fairly uneventful celebrity memoir.
Kudos to the author for mostly avoiding her family’s “curse,” but the book, occasionally revelatory, is weighed down by self-discovery platitudes.Pub Date: April 7, 2015
ISBN: 978-1-941393-23-9
Page Count: 304
Publisher: Regan Arts
Review Posted Online: Feb. 3, 2015
Kirkus Reviews Issue: Feb. 15, 2015
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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