by Marilynne Robinson ‧ RELEASE DATE: Sept. 14, 1998
The author of Housekeeping (1980) and Mother Country (1989) challenges the accepted views of Calvin, Darwin, and others to invigorate intellectual discourse and, by extension, change our days and minds. As with her earlier works, Robinson’s essays are marked by her uneasiness with the workings of society and human consciousness. Here she attempts to counter people’s disturbingly easy acceptance of the “prevailing view of things” by taking a “contrarian” approach that assumes any side—in fact, each—may be wrong. Her aim is not to ridicule but to provide alternatives: “Put aside what we know, and it will start to speak to us again,” she says. Her essays on John Calvin revisit his contributions to modern government and religion, disputing Max Weber’s views of Protestantism and uncovering the influence of Renaissance writer Marguerite de Navarre. With the Mencken-inspired title “Puritans and Prigs” she traces the “generalized disapproval” of Puritanism to today’s self-congratulatory priggish eating of fish and correcting of offensive diction. The book’s title refers to the consequence of Darwinism, that is, the usurpation of God and human impulses by hard-wiring. As with all good philosophical essays, these pieces do more than shape thinking. They—re about life as it’s lived now. Like the 19th-century reformers she so appreciates in “McGuffey and the Abolitionists,” the author wants to engender good faith. When what passes for social criticism these days is issue-bound journalism, and when intellectual debate is largely confined to ivy halls, Robinson’s laboriously researched, inclusively presented opinions are welcome. They serve scholarship well, enlarging the audience for dialogue on broad questions of how to live. Her dogged textual dissections (e.g., of Lord Acton and other critics of Calvin) illuminate her readings; her epigrammatic observations (e.g., ’spiritual agoraphobes—) vividly capture our states of mind. Set aside Robinson’s occasional sober prolixity and find a moral gauntlet. This is a book written in hope.
Pub Date: Sept. 14, 1998
ISBN: 0-395-92692-0
Page Count: 272
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1999
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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