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THE GIRL WITH NO NAME

THE INCREDIBLE TRUE STORY OF A CHILD RAISED BY MONKEYS

An intriguing adventure story that often doesn’t ring true. Caveat emptor.

The improbable story of how Chapman was kidnapped from her rural Colombian village at the age of 5 and abandoned in the jungle.

According to the tale, pieced together by her daughter, Vanessa James, Chapman adopted monkey ways—eating what they ate, climbing trees and mimicking their calls—until five years later, when she connected with some hunters in the hopes of being returned to her family. Instead, she was left in a brothel on the outskirts of the nearby city. There she was kept in semislavery as a house servant. Gradually, she relearned Spanish and the rudiments of civilized life. Escaping, she fell in with other homeless children and was ultimately taken in by a brutal Mafia family, where she was again reduced to servitude. The book ends when the author, around the age of 14, was rescued by a neighbor's daughter, who offered her a real home in another town. Although ostensibly written as a first-person account by Chapman, the preface by James and the epilogue by novelist Barrett-Lee (One Day, Someday, 2003, etc.) provide a different picture. James explains how she was intrigued by her mother's stories about life among the monkeys and also by the oddity of her own upbringing—for example, having to sit and howl at her mother's feet before being fed. She decided “to piece together mum's tangled memories” about the “magical world” living in the jungle with a tribe of monkeys and the life of a Colombian street child, characterized by “kidnappings, abductions, drugs, crime, murder and child abuse.” Barrett-Lee admits that she was given “a huge, unwieldy document” to work with, which she then scripted.

An intriguing adventure story that often doesn’t ring true. Caveat emptor.

Pub Date: April 1, 2013

ISBN: 978-1605984742

Page Count: 336

Publisher: Pegasus

Review Posted Online: Dec. 24, 2012

Kirkus Reviews Issue: Jan. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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