Fiorato (Daughter of Siena, 2011) nimbly weaves cultural, religious, architectural and medical histories into this...

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THE VENETIAN BARGAIN

In 1576, the bubonic plague ravages the Ottoman Empire. Still stung by his defeat at the Battle of Lepanto, the sultan of Constantinople decides to wield the vicious disease as a weapon against Venice.

Doctor to the sultan’s harem, Feyra is a skilled, compassionate, beautiful young woman. Yet she fears for her life when the valide sultan is poisoned. On her deathbed, the valide sultan reveals that she is not only Venetian, not only the Venetian doge’s daughter, but also Feyra's mother, taken from her sea-captain husband—Feyra's father—by the sultan for her great beauty. Reeling from the news, Feyra is even more startled to learn that her father has been coerced into sailing a ship into Venice—a ship with deadly cargo: the plague. Desperate to escape being forced into her half brother’s harem, Feyra stows away on the ship and quickly falls ill with the plague herself. Once in Venice, the sailors abandon Feyra and her father, who soon dies, leaving her to find her way to the doge. The doge, meanwhile, has commissioned the great architect Palladio to build a magnificent cathedral to urge God to save Venice, and he seeks a great doctor to keep his architect healthy. Clad in the customary medical uniform of the day—including voluminous oiled cloaks and a long-beaked mask—the handsome Annibale Cason is anything but a conventional doctor. He despises the quack cures of the day, seeking instead a place to quarantine his patients and try the latest medical theories. Feyra pleads for an audience with the doge, but as soon as the guards realize she is a Muslim infidel, she is chased into the streets. She finds refuge with Palladio, and soon her fate and Cason’s intertwine.

Fiorato (Daughter of Siena, 2011) nimbly weaves cultural, religious, architectural and medical histories into this captivating romance.

Pub Date: April 8, 2014

ISBN: 978-1-250-04295-8

Page Count: 416

Publisher: St. Martin's Griffin

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

CILKA'S JOURNEY

In this follow-up to the widely read The Tattooist of Auschwitz (2018), a young concentration camp survivor is sentenced to 15 years’ hard labor in a Russian gulag.

The novel begins with the liberation of Auschwitz by Soviet troops in 1945. In the camp, 16-year-old Cecilia "Cilka" Klein—one of the Jewish prisoners introduced in Tattooist—was forced to become the mistress of two Nazi commandants. The Russians accuse her of collaborating—they also think she might be a spy—and send her to the Vorkuta Gulag in Siberia. There, another nightmarish scenario unfolds: Cilka, now 18, and the other women in her hut are routinely raped at night by criminal-class prisoners with special “privileges”; by day, the near-starving women haul coal from the local mines in frigid weather. The narrative is intercut with Cilka’s grim memories of Auschwitz as well as her happier recollections of life with her parents and sister before the war. At Vorkuta, her lot improves when she starts work as a nurse trainee at the camp hospital under the supervision of a sympathetic woman doctor who tries to protect her. Cilka also begins to feel the stirrings of romantic love for Alexandr, a fellow prisoner. Though believing she is cursed, Cilka shows great courage and fortitude throughout: Indeed, her ability to endure trauma—as well her heroism in ministering to the sick and wounded—almost defies credulity. The novel is ostensibly based on a true story, but a central element in the book—Cilka’s sexual relationship with the SS officers—has been challenged by the Auschwitz Memorial Research Center and by the real Cilka’s stepson, who says it is false. As in Tattooist, the writing itself is workmanlike at best and often overwrought.

Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-26570-8

Page Count: 352

Publisher: St. Martin's

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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If nothing else, you have to giggle over how this novel’s namesake, who held vicious white supremacist opinions, must be...

LOVECRAFT COUNTRY

Some very nice, very smart African-Americans are plunged into netherworlds of malevolent sorcery in the waning days of Jim Crow—as if Jim Crow alone wasn’t enough of a curse to begin with.

In the northern U.S. of the mid-1950s, as depicted in this merrily macabre pastiche by Ruff (The Mirage, 2012, etc.), Driving While Black is an even more perilous proposition than it is now. Ask Atticus Turner, an African-American Korean War veteran and science-fiction buff, who is compelled to face an all-too-customary gauntlet of racist highway patrolmen and hostile white roadside hamlets en route from his South Side Chicago home to a remote Massachusetts village in search of his curmudgeonly father, Montrose, who was lured away by a young white “sharp dresser” driving a silver Cadillac with tinted windows. At least Atticus isn’t alone; his uncle George, who puts out annual editions of The Safe Negro Travel Guide, is splitting driving duties in his Packard station wagon “with inlaid birch trim and side paneling.” Also along for the ride is Atticus’ childhood friend Letitia Dandridge, another sci-fi fan, whose family lived in the same neighborhood as the Turners. It turns out this road trip is merely the beginning of a series of bizarre chimerical adventures ensnaring both the Turner and Dandridge clans in ancient rituals, arcane magical texts, alternate universes, and transmogrifying potions, all of which bears some resemblance to the supernatural visions of H.P. Lovecraft and other gothic dream makers of the past. Ruff’s ripping yarns often pile on contrivances and overextend the narratives in the grand manner of pulp storytelling, but the reinvented mythos here seems to have aroused in him a newfound empathy and engagement with his characters.

If nothing else, you have to giggle over how this novel’s namesake, who held vicious white supremacist opinions, must be doing triple axels in his grave at the way his imagination has been so impudently shaken and stirred.

Pub Date: Feb. 16, 2016

ISBN: 978-0-06-229206-3

Page Count: 432

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 4, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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