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STANDING UP

A MEMOIR OF A FUNNY (NOT ALWAYS) LIFE

Sharp, witty, occasional black humor from a woman who has gone through hell and back and lived to tell the tale.

The chronicles of a comedian's life.

Stand-up comedian Grodin delves deeply into the fabric of her life to bring readers an honest examination of her roller-coaster existence. Experimenting with sex and drugs in high school turned into years of casual relationships and life lived for the high from alcohol, marijuana, cocaine and heroin (“Alcohol and other drugs had helped me feel like I didn’t have any worries in the world. But heroin made me feel like I didn’t have any world”). Grodin scrutinizes her codependent relationship with her mother and how she longed to be away from her. However, in times of great stress, the author wanted nothing more than to be wrapped in her mother's arms. When her mother was diagnosed with brain cancer, she writes, "I had always been like my mother's little husband, and now I moved into this role completely—the role I felt I'd been in training for my whole life—I became her caretaker….Though the circumstances were as dire as it gets, she was thrilled that we were together.” Throughout all her ups and downs, the author’s father, actor and talk show host Charles Grodin, was always there, with encouraging words, money, love and support, no questions asked. Multiple times, Grodin bottomed out, only to scrape herself together, facing her addictions, her weight issues and her fears. Eventually, Grodin entered a stable relationship, finally said yes to a second marriage proposal and began trying for a child, with heartbreaking results. Further insult was added when Grodin was diagnosed with cancer in the very thing she had always wished as a teen to rid herself of: her breast. Despite the harshness of her oftentimes self-induced problems, the author interjects her offbeat humor throughout the text, providing much-needed relief from the recitation of her pendulum of emotions.

Sharp, witty, occasional black humor from a woman who has gone through hell and back and lived to tell the tale.

Pub Date: Nov. 5, 2013

ISBN: 978-1-4555-1013-9

Page Count: 320

Publisher: Center Street/Hachette

Review Posted Online: Oct. 5, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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