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STANDING UP

A MEMOIR OF A FUNNY (NOT ALWAYS) LIFE

Sharp, witty, occasional black humor from a woman who has gone through hell and back and lived to tell the tale.

The chronicles of a comedian's life.

Stand-up comedian Grodin delves deeply into the fabric of her life to bring readers an honest examination of her roller-coaster existence. Experimenting with sex and drugs in high school turned into years of casual relationships and life lived for the high from alcohol, marijuana, cocaine and heroin (“Alcohol and other drugs had helped me feel like I didn’t have any worries in the world. But heroin made me feel like I didn’t have any world”). Grodin scrutinizes her codependent relationship with her mother and how she longed to be away from her. However, in times of great stress, the author wanted nothing more than to be wrapped in her mother's arms. When her mother was diagnosed with brain cancer, she writes, "I had always been like my mother's little husband, and now I moved into this role completely—the role I felt I'd been in training for my whole life—I became her caretaker….Though the circumstances were as dire as it gets, she was thrilled that we were together.” Throughout all her ups and downs, the author’s father, actor and talk show host Charles Grodin, was always there, with encouraging words, money, love and support, no questions asked. Multiple times, Grodin bottomed out, only to scrape herself together, facing her addictions, her weight issues and her fears. Eventually, Grodin entered a stable relationship, finally said yes to a second marriage proposal and began trying for a child, with heartbreaking results. Further insult was added when Grodin was diagnosed with cancer in the very thing she had always wished as a teen to rid herself of: her breast. Despite the harshness of her oftentimes self-induced problems, the author interjects her offbeat humor throughout the text, providing much-needed relief from the recitation of her pendulum of emotions.

Sharp, witty, occasional black humor from a woman who has gone through hell and back and lived to tell the tale.

Pub Date: Nov. 5, 2013

ISBN: 978-1-4555-1013-9

Page Count: 320

Publisher: Center Street/Hachette

Review Posted Online: Oct. 5, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Kirkus Reviews'
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  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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