A funny, informed, daringly constructed literary biography.
An ingenious dual biography of a classic American author and an unlikely literary muse.
The romance between novelist Nathanael West (1903–1940) and Eileen McKenney (1914–1940) was tragically brief. They met in October 1939, married six months later and died in a car accident shortly before Christmas 1940. Consequently, only a fraction of the latest biography by Meade (Bobbed Hair and Bathtub Gin: Writers Running Wild in the Twenties, 2004, etc.) covers the life the two shared together. However, the book shows that they were often kindred spirits, and the author offers a glimpse of how literary life functioned on the East and West Coasts in the ’20s and ’30s. The son of an upper-middle-class Manhattan family, West grew up as a ne’er-do-well who entered Brown University by essentially committing identity theft. Battling his own lassitude and a pervasive anti-Semitism—he eventually changed his name from Nathan Weinstein—he found time in New York to produce a handful of comic novels, including the acclaimed Miss Lonelyhearts (1933). He struck his fortune in Hollywood, though, getting to know the many writers who headed to California to make a quick buck from the studios—a culture West skewered in his final novel, The Day of the Locust (1939). McKenney wasn’t an author, but she was embraced by New York’s literati thanks to her sister, Ruth, whose series of embellished humor pieces about Eileen ran in the New Yorker. For all their notoriety, each harbored deep anxieties that helped connect them. West questioned his talents and bemoaned his poor sales, while McKenney was a product of a broken home who raised her son alone after divorcing her alcoholic husband. Meade doesn’t labor to suggest that the pairing was kismet, nor does she aggressively foreshadow the accident that cut short her subject’s lives. Instead, she foregrounds their intelligence, humor and luck—both dodged the worst of the Great Depression—and creates a substantive tale about finding the good life in tough times.
A funny, informed, daringly constructed literary biography.Pub Date: March 11, 2010
ISBN: 978-0-15-101149-0
Page Count: 416
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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