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BUSTER KEATON

CUT TO THE CHASE

Meade (Dorothy Parker: What Fresh Hell Is This?, 1988, etc.) returns to the Jazz Age with this bio of the great filmmaker and actor Joseph Frank ``Buster'' Keaton, timed to coincide with the centennial of his birth. Warning readers from the outset that she is focusing on his life rather than his films, Meade retells Keaton's story in somewhat more detail than previous biographers. The actor was born to Joe and Myra Keaton, unsuccessful medicine-show performers who became unsuccessful parents. But Keaton (and the physically violent stunts his father performed on him) enlivened their moribund act and made them vaudeville stars. Meade goes into copious detail in recounting the comedian's literally knockabout infancy and childhood and offers perfunctory attempts to situate him in a world before mass media. She chronicles his meteoric rise in the nascent movie industry, his working relationship with Roscoe ``Fatty'' Arbuckle, and Arbuckle's decline in the wake of his trials in the alleged manslaughter of starlet Virginia Rappe. Meade closely traces the consequences of Keaton's disastrous marriage to Natalie Talmadge and the sordid history of his in-laws. She recounts the harrowing downfall that accompanied his ill-advised decision to sign with MGM at the end of the silent era (and reconfirms the belief that Irving Thalberg deserved some blame for the destruction of Keaton's career). After the dismal times of the late '30s and '40s, Keaton rebounded thanks in no small part to the advent of television. Meade is the first Keaton biographer to detail his prickly relationship with film buff Raymond Rohauer; to give the devil his due, the obnoxious Rohauer emerges with considerable credit for saving Keaton's films from oblivion. One wishes that despite her warning Meade would talk more about the films and their making. The failure to do so leaves a large hole in the center of this account. A competent biography, seldom stirring but highly informative.

Pub Date: Oct. 1, 1995

ISBN: 0-06-017337-8

Page Count: 448

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1995

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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