A literary Hedda Hopper dishes dirt on the director and evokes pity rather than disgust. Veteran biographer Meade (Buster Keaton: Cut to the Chase, 1995, etc.) gets down to business in her first chapter, which recounts Mia Farrow’s discovery of his erotic photos of her teenage daughter Soon-Yi. That unbeatable opening segues into a chronicle of Allen’s life on-screen and with women, backed by a broad range of interviews with ex-wives, film associates, and paparazzi. Film tidbits abound as Meade details how Allen pushed Warren Beatty out of What’s New Pussycat?, balked at changing the title Anhedonia to Annie Hall, and panted for the approbation of film critics, particularly Vincent Canby. Critical analysis, thankfully, is limited to reviewers— reactions and box-office business. Along the way to success come the women, from first wife Harleen, whose relentless exploitation in Allen’s work gained her a lifetime settlement, to the teenager whose —mature— affair with Allen inspired Manhattan. There’s nothing new about Diane Keaton, except that Allen reserved a drawer for her in the bedroom set he and wife Louise Lasser shared. But when Meade catches up with Mia, the author bares all: the romance, the arguments in front of the tots, and the chilling $7 million legal marathon that left Allen unable to see all his children and shadowed by child-molestation charges. After this spectacle, talk of how little Soon-Yi knew of Allen’s films and how she dragged him to fashion shows comes as a relief, as does the climactic appearance of the couple’s child, Bechet Dumaine. As Roger Ebert says of the Mia—Woody—Soon-Yi situation, —Life goes on.— Fueled by tart anecdote, graphic scene-making, and glib analysis, Meade’s tell-all charges like a 20-mule—team People article. But it delivers on the biographical form’s promise of illuminating portraiture, explaining why, after decades of boyishness, Allen now appears —older than his age.— (8 pages b&w photos, not seen)
Pub Date: Feb. 21, 2000
ISBN: 0-684-83374-3
Page Count: 384
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
IN THE NEWS
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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