by Marion Rodgers ‧ RELEASE DATE: Nov. 1, 2005
About the only flaw in the book is the subtitle, for Mencken seems to have been born old if not always wise. A pleasure for...
A superb study of the life of the cigar-chomping controversialist, civil libertarian and muckraker who remains the patron saint of journalists, at least of a certain age.
Henry Louis Mencken (always H.L., by way of distancing himself from readers) lived in a puritanical age very much like our own, though “he was anything but a moralist—an attitude, he realized, that made him incomprehensible to most Americans.” So writes Mencken anthologist and devotee Rodgers, who notes that her subject was born in the horse-and-buggy age and died in a time of jets and television: “when he was a child, typewriters were a novelty,” and when he was a cub reporter in Baltimore, the machines were held in suspicion of being somehow effeminate. He learned to peck away at one nonetheless, and with it to create a wide-ranging, astonishingly large body of work, committing something on the order of 10,000 words to paper every day—ephemeral journalism, articles and essays, letters and many books, including the still-standard American Language. A turn-of-the-century bon vivant, Mencken sometimes seemed trapped in the era between the Gilded Age and the First World War; certainly his attitudes toward blacks and Jews were of the 19th century, though he made efforts to overcome some of his prejudices, championing African-American writers as a critic and unsuccessfully urging that the Roosevelt administration admit German Jews fleeing from Hitler. Rodgers’s portrait is affectionate but critical; she does not hesitate to bring up troubling issues, and she even reveals that Mencken committed journalistic fictions worthy of Stephen Glass and Jayson Blair, including one in which he made up the details of a battle in the Russo-Japanese War—many of them, it turns out, correct, but made up all the same.
About the only flaw in the book is the subtitle, for Mencken seems to have been born old if not always wise. A pleasure for admirers of the cage-rattler, and the best Mencken biography to date.Pub Date: Nov. 1, 2005
ISBN: 0-19-507238-3
Page Count: 600
Publisher: Oxford Univ.
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 2005
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edited by Marion Rodgers & by H.L. Mencken & Sara Haardt
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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