Insightful pieces with a cumulative impact that wouldn’t work as well standing alone.

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THE BALTIMORE BOOK OF THE DEAD

A sequel to The Glen Rock Book of the Dead (2008), the author’s previous collection of sharp-eyed memorials.

Though Winik (MFA Program/Univ. of Baltimore; Highs in the Low Fifties: How I Stumbled Through the Joys of Single Living, 2013, etc.) is most widely regarded as a humorist, through her columns and NPR commentary, death has been a focus of her book projects since First Comes Love (1996). As she observes in the introduction to her latest, “death is the subtext of life, there is no way around it. It is the foundation of life’s meaning and value.” The author also explains that her volumes reflect chronology rather than geography; despite the title, these aren’t Baltimore’s deaths but rather deaths that have occurred since she moved to Baltimore from Glen Rock, Pennsylvania, in 2009. So there’s plenty about her New Jersey girlhood, beginning with the opening piece on her mother and proceeding through the deaths of family members and her mother’s friends. Then she moves on to her pivotal years in Texas, where she found her voice and professional identity in Austin. Winik also commemorates people she didn’t know personally but whose deaths affected her and the culture deeply, including David Bowie and Lou Reed. In writing about these dozens of deaths, the author is writing about life in general, how quickly it can change and how long a memory can persist, and her life in particular, “how big ideas about art and revolution were so easily infected with the stupid romance of self-destruction.” Some die without warning, as Winik writes of an unnamed friend (almost all of those who inspired these pieces go unnamed), “he was fifty-six, just like my own father who died the same way: the heart in the dark of the night that loses its way.” The famous and the anonymous, the scandalous and the respectable: All get their due. For all of the variety in details and circumstance, all of the stories proceed to the same ending.

Insightful pieces with a cumulative impact that wouldn’t work as well standing alone.

Pub Date: Oct. 9, 2018

ISBN: 978-1-64009-121-4

Page Count: 152

Publisher: Counterpoint

Review Posted Online: July 31, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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A clear and candid contribution to an essential conversation.

SO YOU WANT TO TALK ABOUT RACE

Straight talk to blacks and whites about the realities of racism.

In her feisty debut book, Oluo, essayist, blogger, and editor at large at the Establishment magazine, writes from the perspective of a black, queer, middle-class, college-educated woman living in a “white supremacist country.” The daughter of a white single mother, brought up in largely white Seattle, she sees race as “one of the most defining forces” in her life. Throughout the book, Oluo responds to questions that she has often been asked, and others that she wishes were asked, about racism “in our workplace, our government, our homes, and ourselves.” “Is it really about race?” she is asked by whites who insist that class is a greater source of oppression. “Is police brutality really about race?” “What is cultural appropriation?” and “What is the model minority myth?” Her sharp, no-nonsense answers include talking points for both blacks and whites. She explains, for example, “when somebody asks you to ‘check your privilege’ they are asking you to pause and consider how the advantages you’ve had in life are contributing to your opinions and actions, and how the lack of disadvantages in certain areas is keeping you from fully understanding the struggles others are facing.” She unpacks the complicated term “intersectionality”: the idea that social justice must consider “a myriad of identities—our gender, class, race, sexuality, and so much more—that inform our experiences in life.” She asks whites to realize that when people of color talk about systemic racism, “they are opening up all of that pain and fear and anger to you” and are asking that they be heard. After devoting most of the book to talking, Oluo finishes with a chapter on action and its urgency. Action includes pressing for reform in schools, unions, and local governments; boycotting businesses that exploit people of color; contributing money to social justice organizations; and, most of all, voting for candidates who make “diversity, inclusion and racial justice a priority.”

A clear and candid contribution to an essential conversation.

Pub Date: Jan. 16, 2018

ISBN: 978-1-58005-677-9

Page Count: 256

Publisher: Seal Press

Review Posted Online: Oct. 9, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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