Heavy on the self-reproach, this questing first novel is all but defeated by its insistence on the difficult duties of...

NO DIRECTION HOME

Themes of desertion and migration visibly shape a story of family responsibility.

Guilt or abandonment or both afflict almost every member of the large cast in Silver’s first novel as they explore melancholy feelings about their parents or offspring. Will Burton, more sensitive than his twin brother Ethan—although both suffer with the same eye disease—fears he is to blame when his father, Frank, suddenly walks away from his family without saying goodbye. Will’s mother, Caroline, is forced to sell up and move, with the children, back to her parents, Vincent and Eleanor, in California. Eleanor, beset with dementia, seems rarely burdened with deep feeling anymore, but Vincent, who abandoned her for a while, years ago, fears that the wound he inflicted precipitated the disease. Eleanor’s nurse, Amador, has abandoned his own family in Mexico, in an effort to shoulder his financial responsibilities. He, too, carries a burden of sorrow, since his first son died aged one, after a family outing when Amador impulsively dipped him in a chilly river. Subsequently he dares not love his other children as freely, especially his second son, Rogelio, who has always sensed but misunderstood his father’s prickliness. And there’s another forsaken child, 16-year-old Marlene in Ohio, Frank’s love child who, after a sudden, fleeting encounter with him, decides to trek to California, thinking to find him there. Rogelio has also run away from home, eventually appearing in Amador’s trailer, thin and desperate. Amador, who had started an affair with Caroline, realizes he must reunite his family and curtail his emotional absence. Marlene’s arrival surprises no one and engenders kinship with her half-brothers. She understands her father will always elude her, but has found something else. Caroline chooses to share the burden of her mother with her father. Silver (stories: Babe in Paradise, 2001) writes deftly but her overdeterminism squeezes the life out of her characters.

Heavy on the self-reproach, this questing first novel is all but defeated by its insistence on the difficult duties of parent and child.

Pub Date: June 1, 2005

ISBN: 0-393-05823-9

Page Count: 288

Publisher: Norton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2005

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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