Adept at creating romantic fiction for women who want to think they are above romantic fiction, de los Santos offers...
In the latest from de los Santos (Belong to Me, 2008, etc.), a single mother’s effort to reunite with her two best friends from college after a six-year silence doesn’t pan out exactly as she expected.
After Pen met Cat (their cute, sexually ambiguous names a telling coincidence) and Will at the start of their freshman year at an unnamed Southern college, the three quickly recognized they were soul mates and became inseparable. Other friends and even lovers had to play second fiddle to their platonic threesome. After college, the three lived together until petite, half-Filipino Cat, who suffered from occasional epileptic seizures and was the most vivacious and quirky member of the group, decided she wanted to get married and moved out. The friendship was so intense that it could not survive alteration, and soon Will moved out too. In the ensuing six years, Pen has heard nothing from her friends. She is living with her brother while raising her 5-year-old daughter Augusta, the result of an affair with a likable jerk who has returned to his former wife, when she receives an e-mail from Cat begging her to meet at their college reunion. Will, now an author of children’s books, receives the same e-mail and shows up too. But instead of Cat, Cat’s husband Jason appears. He sent the e-mails and now begs them to help him find Cat, who disappeared shortly after her father’s death (Pen is still mourning the death of her own father two years earlier while Will’s father is alive but out of his life). Soon the three, plus Augusta, head to the Philippines. Pen and Will grapple with their confused, perhaps not so platonic feelings for each other as well as their ambivalence toward crude but oddly sympathetic Jason, a dead ringer for the actor Jason Segel.
Adept at creating romantic fiction for women who want to think they are above romantic fiction, de los Santos offers ever-so-sensitive protagonists who are surprisingly dense about their actual feelings.Pub Date: Oct. 4, 2011
ISBN: 978-0-06-167087-9
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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