written and illustrated by Marissa Moss ‧ RELEASE DATE: May 1, 2017
When Moss writes, “this isn’t how it’s supposed to be,” other readers who aren’t feeling what they’re supposed to be feeling...
A graphic memoir by an author best known for her children’s books details the devastating effects of her husband’s amyotrophic lateral sclerosis on her entire family.
Though Moss has sold millions of books—particularly the Amelia’s Notebook series—she explains in the acknowledgments that “this book wasn’t easy to sell. Many agents and editors felt it was too dark or sad.” It is both of those, as the author subverts the stereotype of the noble caregiver and the patient whose fatal illness teaches everyone about the true meaning of life. Moss offers no clichéd heroism. “We’re told that major illness deepens us, makes us grateful for our lives,” she writes. “But for me, ALS doesn’t work that way. I’m not a bigger, nobler person and neither is [my husband] Harvey.” When Harvey received his diagnosis and quickly saw his health decline, he seemed to resent his wife’s attempts to help him or be closer to him. And she resented him back, not only for the impositions his illness made on her and his lack of appreciation, but for the way it altered the dynamic of the entire family. “But it’s not his disease,” she maintains, after he decreed that he would notify their children. “It’s rotting away at all of us,” writes Moss. “First it killed our marriage. Now it’s destroying our family. And then Harvey will die. What will be left of us?” Instead of the concern for Harvey that one would expect as a focus, the author is brutally honest about how hard she took his illness and how it affected her. There are brief flashes of a return of intimacy and connection between them—and sessions with a therapist provided some perspective—but it seems that only after his death could she truly reconnect with the husband she loved.
When Moss writes, “this isn’t how it’s supposed to be,” other readers who aren’t feeling what they’re supposed to be feeling could well find comfort in a kindred spirit.Pub Date: May 1, 2017
ISBN: 978-1-57324-698-9
Page Count: 176
Publisher: Conari Press
Review Posted Online: Feb. 4, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by Piet Wijn ; illustrated by Thom Roep ; translated by Marissa Moss
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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