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“READY FOR THE PEOPLE”

MY MOST CHILLING CASES AS A PROSECUTOR

A slap-in-the-face look at the criminal-justice system.

Three nasty criminal cases provide a long-serving trial deputy in the Los Angeles DA’s office with the chance to nimbly explain what really goes on in a courtroom.

Batt has put in 25 years as a deputy district attorney in LA, working everything from hot prowl to mayhem, robbery to murder. She tenders here some fruits of her hard-won experience as illustrated by three exceptional crimes she prosecuted: an all-night crime spree that included rape and robbery; a violent gay rape; and a vicious assault by a respectable citizen who claimed to be cleaning up the Hollywood streets. Concise, blow-by-blow recountings deliver both wicked circumstantial color (“They might have gotten away with the whole thing if they had just stopped after the raping, pillaging, and burning”) and, importantly, the meat of the prosecutorial process: Will the jury empathize with your witness or victim? When is a plea bargain likely? What about the inherent conflict of interest in multiple-defendant cases? Who is a good juror? Questions of due diligence and preparation also arise, and the author imparts telling details, e.g., that a greasy lunch can compromise jurors’ attention to an afternoon opening statement. Always, Batt is concerned with the process of law: “Failure to provide prompt and thorough discovery to the defense is unethical,” she notes, “and can result in a variety of sanctions.” Yet she is also attuned to the nuances of the courtroom, realizing that one judge’s homophobia compromised her case, and getting a surreal, creepy glimpse into the mind of another supposedly objective justice, who orders her to do something about her hair: “It’s too curly. I mean, for God's sake, you have these little golden-brown ringlets all over your head . . . it's simply too—uh—too distracting.” Though Batt is a prosecutor, her 25 rules for giving effective testimony could be used by either side.

A slap-in-the-face look at the criminal-justice system.

Pub Date: Jan. 1, 2004

ISBN: 1-55970-705-4

Page Count: 256

Publisher: Arcade

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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