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CHARACTER

THE HISTORY OF A CULTURAL OBSESSION

A capacious overview of an enduring human value.

The acclaimed literary scholar considers the shifting significance of the term "character."

Garber, a Harvard professor of English and visual and environmental studies, brings a wide range of sources to her erudite, illuminating study of the “complex, sometimes self-contradictory, and often elusive concept” of character, whose meaning has changed throughout history. Claiming the idea of character to be a cultural obsession involving politics, entertainment, education, psychology, neurology, art, and literature, Garber examines many questions it has generated: “How can it be perceived, measured, assessed, developed, trained, or ‘built’?” Is character “innate, learned, taught, or instilled? Are character traits fixed or changeable?” Is there such a quality as a national character? Is character synonymous with personality? Is a person’s character visible, able to be “read” by head bumps, as phrenologists believed, or analyzed by physiognomy? As the author explores such questions, she turns to sources as varied as Shakespeare (Garber is a noted Shakespeare scholar) and other playwrights, Greek philosophers, photographers and artists, education tracts, and contemporary political rhetoric. The idea that character can be trained, she asserts, was promoted by many 19th-century self-help books as well as the Scouting movement. Character building “was an invitation to personal initiative.” The popular 19th-century educational series McGuffey’s Readers, Grimm’s fairy tales, and even The Wonderful Wizard of Oz all contain moral teachings to help a child build character. Garber traces the 18th-century fad of physiognomy, which later emerged as phrenology, which asserted that qualities such as greed, wickedness, melancholy, and maliciousness could be assessed from physical traits. Rubrics of character traits have been popular for centuries: As far back as the fourth-century B.C.E., Theophrastus came up with a list of 30 character types, including The Flatterer, The Reckless Cynic, The Officious Man, The Vain Man, The Oligarch, and The Slanderer, most of which, Garber astutely notes, are recognizable today.

A capacious overview of an enduring human value. (32 pages of b/w illustrations)

Pub Date: July 14, 2020

ISBN: 978-0-374-12085-6

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: March 18, 2020

Kirkus Reviews Issue: April 15, 2020

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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