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THE PRESENT MOMENT

Memories are shared and friendships strengthened in a story that suffers from trying to be a history of both Kenya and the...

In her second novel to be published in the Women Writing Africa series (see above), Kenyan writer Macgoye spins an intermittently moving, if often didactic, tale.

Here, seven elderly women recall their lives during a period of great change. All seven, members of different tribes and faiths, live in the Refuge, a church-run shelter for the impoverished old and ailing. Like a chorus, their individual voices join to carry a common refrain—a plaint about their present condition—and then separate to resume their own stories, which in turn are interrupted by the others. All have had hard lives, and all have been affected by such political events in Kenya as the Mau Mau revolt against the British, independence, and the short-lived revolution of the 1960s. Bessie lives in the past now as she mourns her only son, a deserter who was seized by soldiers during the military revolt and shot dead in front of her. Light-skinned Mama Chungu recalls how she became the servant, then the mistress, of a white man. Nekesa, a former prostitute, relates how she lost the only surviving member of her family, a brother who had been a soldier in WWII but afterward turned to drink. The ailing Rahel is a soldier’s widow; Priscilla once worked for a white woman whose family was killed by the Mau Mau in Priscilla’s presence; and Sophia, a Moslem, accidentally caused a fire that killed members of her own family. The most interesting and vivid personality is Wairimu, who was determined to make her own way after she was seduced: she left home, worked at various jobs, and became involved in politics as she organized her fellow workers and protested continuing British rule.

Memories are shared and friendships strengthened in a story that suffers from trying to be a history of both Kenya and the old women.

Pub Date: Dec. 1, 2000

ISBN: 1-55861-254-8

Page Count: 192

Publisher: Feminist Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2000

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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