by Marjorie Oludhe Macgoye ‧ RELEASE DATE: Dec. 1, 2000
Memories are shared and friendships strengthened in a story that suffers from trying to be a history of both Kenya and the...
In her second novel to be published in the Women Writing Africa series (see above), Kenyan writer Macgoye spins an intermittently moving, if often didactic, tale.
Here, seven elderly women recall their lives during a period of great change. All seven, members of different tribes and faiths, live in the Refuge, a church-run shelter for the impoverished old and ailing. Like a chorus, their individual voices join to carry a common refrain—a plaint about their present condition—and then separate to resume their own stories, which in turn are interrupted by the others. All have had hard lives, and all have been affected by such political events in Kenya as the Mau Mau revolt against the British, independence, and the short-lived revolution of the 1960s. Bessie lives in the past now as she mourns her only son, a deserter who was seized by soldiers during the military revolt and shot dead in front of her. Light-skinned Mama Chungu recalls how she became the servant, then the mistress, of a white man. Nekesa, a former prostitute, relates how she lost the only surviving member of her family, a brother who had been a soldier in WWII but afterward turned to drink. The ailing Rahel is a soldier’s widow; Priscilla once worked for a white woman whose family was killed by the Mau Mau in Priscilla’s presence; and Sophia, a Moslem, accidentally caused a fire that killed members of her own family. The most interesting and vivid personality is Wairimu, who was determined to make her own way after she was seduced: she left home, worked at various jobs, and became involved in politics as she organized her fellow workers and protested continuing British rule.
Memories are shared and friendships strengthened in a story that suffers from trying to be a history of both Kenya and the old women.Pub Date: Dec. 1, 2000
ISBN: 1-55861-254-8
Page Count: 192
Publisher: Feminist Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2000
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BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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