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WE ARE THE CLASH

REAGAN, THATCHER, AND THE LAST STAND OF A BAND THAT MATTERED

More than a footnote to the rise and fall of one of the last great rock bands.

When did the Clash quit being “the only band that matters”?

This fascinating book faces a challenge: documenting the final years of the British band that its record label had promoted with that slogan. It’s a period the band has disavowed and that critics have generally reviled, resulting in one album released after this version of the band had effectively disbanded and which the Clash has omitted from its authorized anthology. The best that Andersen (co-author: Dance of Days: Two Decades of Punk in the Nation's Capital, 2009) and Heibutzki (Unfinished Business-The Life and Times of Danny Gatton, 2003) can say about the album, “Cut the Crap,” recorded with only two original members, is that it was “indeed unique, if also sometimes a bit of a car wreck.” As much as the Clash as a band, the authors focus on the Clash as an idea, an interchange of rebellious fervor between artist and audience and perhaps more timely than ever with the ascent of Ronald Reagan and Margaret Thatcher. The authors risk oversimplifying what led the Clash to this juncture: a split between Joe Strummer and Mick Jones, whose more commercial-sounding hits were at odds with the band’s activist urgency. There’s also a bigger tension at work: how rock can possibly fight the system from within the system—recording for a huge conglomerate—and how it can become popular enough to wield significant influence without succumbing to the temptations of rock stardom. Following a large festival payday, Strummer and the band sacked Jones (after their drummer had already been sidelined by heroin addiction) and recruited a new lineup under the old name. However, they could never agree on what the new Clash was supposed to be, and Strummer and his manager ultimately found themselves at irreparable odds. The band may no longer have mattered, but its legacy mattered to the authors, who make it matter to the readers.

More than a footnote to the rise and fall of one of the last great rock bands.

Pub Date: July 3, 2018

ISBN: 978-1-61775-293-3

Page Count: 400

Publisher: Akashic

Review Posted Online: April 10, 2018

Kirkus Reviews Issue: May 1, 2018

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BORN SURVIVORS

THREE YOUNG MOTHERS AND THEIR EXTRAORDINARY STORY OF COURAGE, DEFIANCE, AND HOPE

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...

The incredible true story of three Jewish women who survived the Holocaust.

Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.

Pub Date: May 5, 2015

ISBN: 978-0-06-237025-9

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: March 28, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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