A concise and compelling philosophical tale.
Anderson (Plato and Nietzsche, 2017, etc.) recounts a long-distance friendship between two students of Plato in this novel.
The text of this novel is mostly made up of a fictional “lost” novel (also called Thinking Life) by an obscure, early-20th-century Anglo-Italian philosopher and writer named Michael Tommasi. The story within it is narrated by an unnamed philosophy professor who recounts his interactions with another unnamed man—a “philosopher-artist” modeled on Friedrich Nietzsche, according to the fictional “editor” who rediscovered the work. The narrator—later nicknamed “Charmides,” after a figure in one of Plato’s dialogues—first meets the philosopher-artist while on vacation in the Alps: “He nodded politely as he passed, a mischievous gleam in his eye, and he rolled lightly in his stride with a gay sort of musicality.” The two bond over a love of Platonic philosophy, and their meandering conversations have a marked impact on the young narrator’s development. They continue to correspond by mail for many years, although the outbreak of World War I keeps them from seeing each other in person. It’s not until the narrator is a decade into a career in academia that he seeks to see his old friend again. Along the way, he muses on the death of his father, his relationship to alcohol, the changing landscape of academia, and the role of the philosopher (and philosopher-artist) in the world. Anderson’s prose, as filtered through the two fictional academics, Tommasi and “Charmides,” is suitably dense and allusive, although it also features frequent lyrical flourishes. In one memorable passage, for instance, “Charmides” notes that the philosopher-artist “once remarked that he loves mountain valleys with eyes, by which he meant with lakes. The image stays with me as a figure of nature personified, deified, of earth gazing into sky as a god contemplating the contents of its own mind.” As with many philosophical novels, the actual plot is nearly nonexistent. However, unlike many such works, it manages to be a compelling read nonetheless. The passion, doubt, and humility of the narrator make his investigations somehow feel urgent despite the author’s use of a distancing framing device.
A concise and compelling philosophical tale.Pub Date: Jan. 3, 2018
ISBN: 978-0-9967725-6-3
Page Count: 178
Publisher: S.Ph. Press
Review Posted Online: Oct. 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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