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PHANTOM LEADER

Berent continues his highly detailed Vietnam War saga (Rolling Thunder, Steel Tiger), taking his Air Force flyers into 1968 and the Tet offensive. Quotations from Jane Fonda and Tom Hayden, which they would probably like everyone to forget, open this volume that covers fewer than eight weeks of the war—the period of the final buildup to, and execution of, the single most important countrywide offensive by North Vietnam against South Vietnam. Captain Toby Parker, the gifted flyer who washed out of fighter training in a drunken fog, now flies forward observer missions in small propeller planes. When his reported sightings of North Vietnamese tanks on the Ho Chi Minh Trail are discounted by his superiors, he goes in for a closer look and photographs but is brought down and captured by the enemy. It takes the Special Forces to free him and to start the trip back to his base with the news that a really big action is underway. Major Algernon ``Flak'' Apple, shot down over North Vietnam, has been less fortunate. He is a prisoner in the Hanoi Hilton. Major Court Bannister, one shootdown short of becoming an ace (it takes five), has been pulled from the Hanoi bombing runs and sent to purgatory in South Vietnam after apparent violations of the Rules of Engagement. Lt. Colonel Wolf Lochert continues his one-man guerrilla war. And as the top brass continue to ignore the signs of a mammoth coordinated assault coming from the Viet Cong and the North Vietnamese, Lyndon Johnson hopes to deal with Ho Chi Minh like a fellow Texan. When the offensive finally comes, the surprised Americans and South Vietnamese stagger and then fight the enemy off. It's a military victory for the South—and a political and public-relations victory for the North. The high quality of Berent's reporting—as well as the professional insights that distinguished the earlier volumes— continues to make this one of the best Vietnam War fictional histories.

Pub Date: May 9, 1991

ISBN: 0-399-13603-7

Page Count: 416

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1991

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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