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STORM FLIGHT

American pilots languish in a secret Vietnamese prison as President Nixon and Henry Kissinger negotiate the end of US involvement in the war—in the fifth and concluding volume of Berent's highly detailed Air Force saga (Eagle Station, 1992, etc.). Vietnamization, the process that turned America's role in the war over to the natives, is nearly complete. Negotiations with the Viet Cong and their North Vietnamese masters are proceeding, however slowly. American ground troops are being shipped back to the States by the thousands, but the air war continues, and North Vietnam continues to hold prisoners. And there is a disturbing new pattern in the segregation of American flyers in the North Vietnamese prison camps. Electronic Warfare Officers, the men who sit behind the pilots and run the radars and weapons systems, are disappearing from the downtown Hanoi jail known as the ``Hanoi Hilton.'' The word from the prisoners' underground message system is that the Soviets, advisors to the North Vietnam Army, plan to ship the flyers back to the motherland, where their brains will be picked clean of American strategy and tactics and from whence they will not return. After much political agonizing, Special Forces Col. Wolf Lochert, who's been something of a one-man army through the series, gets the assignment to drop into Hanoi, learn the whereabouts of the secret camp, take incriminating pictures, and get the evidence of Soviet involvement back to the President, who will use it in negotiations. Meanwhile, saga star Court Bannister works up new bombing tactics for the huge B52s that will be used to encourage North Vietnam to negotiate more seriously, and saga costar Toby Parker at last gets to strap on the fighters he was born to fly. Militarily true to life in its long stretches of unfortunately snoozy detail—stretches punctuated by terrifying action and heroism. Not the place to start this worthy series.

Pub Date: Oct. 14, 1993

ISBN: 0-399-13814-5

Page Count: 416

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1993

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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