American pilots languish in a secret Vietnamese prison as President Nixon and Henry Kissinger negotiate the end of US involvement in the war—in the fifth and concluding volume of Berent's highly detailed Air Force saga (Eagle Station, 1992, etc.). Vietnamization, the process that turned America's role in the war over to the natives, is nearly complete. Negotiations with the Viet Cong and their North Vietnamese masters are proceeding, however slowly. American ground troops are being shipped back to the States by the thousands, but the air war continues, and North Vietnam continues to hold prisoners. And there is a disturbing new pattern in the segregation of American flyers in the North Vietnamese prison camps. Electronic Warfare Officers, the men who sit behind the pilots and run the radars and weapons systems, are disappearing from the downtown Hanoi jail known as the ``Hanoi Hilton.'' The word from the prisoners' underground message system is that the Soviets, advisors to the North Vietnam Army, plan to ship the flyers back to the motherland, where their brains will be picked clean of American strategy and tactics and from whence they will not return. After much political agonizing, Special Forces Col. Wolf Lochert, who's been something of a one-man army through the series, gets the assignment to drop into Hanoi, learn the whereabouts of the secret camp, take incriminating pictures, and get the evidence of Soviet involvement back to the President, who will use it in negotiations. Meanwhile, saga star Court Bannister works up new bombing tactics for the huge B52s that will be used to encourage North Vietnam to negotiate more seriously, and saga costar Toby Parker at last gets to strap on the fighters he was born to fly. Militarily true to life in its long stretches of unfortunately snoozy detail—stretches punctuated by terrifying action and heroism. Not the place to start this worthy series.
Pub Date: Oct. 14, 1993
ISBN: 0-399-13814-5
Page Count: 416
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1993
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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