Written with care, though Billingham may need to switch the formula soon.
London police inspector Tom Thorne (Scaredy Cat, 2003) goes up against another sadistic killer—though this time the pulse hardly quickens.
Just as grumpy as he was in his previous outing, Thorne is also a little lonelier and randier: a combination that won’t serve him well in the trap that’s set for him. A murderer with a hard-to-suss motive has started snuffing convicted rapists who’ve been released from prison. He (they think it’s a he) likes to whet the rapists’ appetites with suggestive correspondence and pictures, then lure them to a hotel and—well, the details are a bit rough. Let’s just say there’s little for Thorne and his all-too-human squad at the Metropolitan Police Service (normally a pretty sensitive cop, Thorne fondly remembers a time when they were a “force” and not a “service”) much to go on. Compounding the lack of workable clues is the fact that it’s hard for most people (readers included) to whip up much sympathy for the victims, and when Fleet Street gets a whiff of the story, the tabloids can’t congratulate the killer enough for his deeds. And, just to make Thorne’s personal life (a long, sad round of takeout curry, football on the telly, and cans of lager) even more desolate, his apartment gets burgled and his car stolen. About the only thing looking up for him is the sputtering flirtation he’s carrying on with Eve, a florist who telephoned in the first murder scene Thorne was called to (the killer likes to order bouquets). What the author has going for him is an unusually character-rich policeman who carries some of the gravitas of a George Pelecanos or James Lee Burke protagonist without those authors’ tendencies toward morose self-involvement. Frustratingly, though, the plot is stalled as often as Thorne’s relationship with Eve, and the climax’s big surprise is telegraphed about a hundred pages too early.
Written with care, though Billingham may need to switch the formula soon.Pub Date: June 1, 2004
ISBN: 0-06-056085-1
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
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