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RIFT

A compellingly orchestrated tale about two people finding each other after a disaster.

In this novel, two strangers meet in the wake of a major earthquake in California.

Daisetsu Hiro, one of the main characters in Seiler’s tightly constructed tale, is a renowned Japanese architect scheduled to be the keynote speaker at the International Architectural Conference in San Francisco. But Hiro receives a late-night phone call telling him the conference has been canceled due to a massive earthquake that struck the Bay Area. Hiro, a passionate student of earthquakes, decides to fly to California anyway. He is following in the metaphorical footsteps of a group of Japanese architects who traveled to San Francisco in the wake of the 1906 quake that devastated the city. Hiro arrives in a Bay Area still reeling from the disaster and the social unrest that followed. He impulsively saves a woman named Alice Eames from police brutality, and the two become friends while Hiro is in town to help the Federal Emergency Management Agency assess the damage to local buildings, including Alcatraz. This strand of the narrative is interwoven with the story of Jack London Black, a charismatic street musician who makes uncanny personal connections with his listeners (including, in a wonderfully rendered scene, with Alice herself). Black is shot and killed by police the morning after the quake. While Black’s story, told in part as a novel within a novel, is intriguing, Hiro is the book’s most thoughtfully crafted character. Hiro is someone who can inwardly criticize American provincialism (“He wondered if she knew about the Tohoku Tsunami,” he thinks at one point. “It always amazed him how people around the world knew 9/11, but Americans didn’t know 3/11”) but also sound convincing making sweeping pronouncements. “Nature is ever-changing, constantly on the move,” he tells an interviewer. “It is inevitable that a fixed position will be overtaken.” He strongly anchors this lean and intelligent story.

A compellingly orchestrated tale about two people finding each other after a disaster.

Pub Date: N/A

ISBN: N/A

Page Count: 251

Publisher: Wayfarer Books

Review Posted Online: Oct. 17, 2022

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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