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THE DEATH OF SIGMUND FREUD

THE LEGACY OF HIS LAST DAYS

Brilliantly buttressed plea for reconsideration of Freud as philosopher and shrink.

The final shaping of the Promethean psychoanalyst’s work amid the opening clashes of war and forebodings of holocaust.

Previously acclaimed for his literary and cultural criticism, Edmundson (English/Univ. of Virginia; Why Read?, 2004, etc.) uses Hitler’s forced annexation of Austria in March 1938 as a matrix for assembling and framing the thought of Vienna resident Freud. The “action” part of the story is minimal. Ailing, 82-year-old Freud confronted and held off local Nazis attempting to loot his home along with those of other Jews as the Anschluss unfolded. A few months later, he decided to escape with his extended family, got on the Orient Express and, after a Channel ferry trip, got off a train at Victoria Station and moved to his new home in a quiet section of London. Edmundson stresses the areas of Freud’s work that pertain to sources of human conflict, both personal and collective. Nothing could be more hideously apt in the age of fascism than the analyst’s theory regarding humankind’s infantile and, he believed, eternal psychological yearning for authority figures. “Freud pointed to the twofold horror of…the Patriarchal Complex, tyrannical governments and tyrannical religions,” Edmundson writes, “and began to explain why they will probably be with us forever.” Hitler himself was the perfect foil for this intellectual exercise, someone who despised the Viennese Jew while unwittingly confirming his tenets in both word and deed; Freud found the Führer not a monstrous anomaly but totally predictable. Assisted by morphine doses administered by a doctor who promised to help when the pain from his cancer became intolerable, Freud died on September 23, 1939. His lessons live on, Edmundson avers: “When religious fundamentalism crosses national borders and aligns itself with authoritarian politics, nations that aspire to democracy must deal with an enormous threat.”

Brilliantly buttressed plea for reconsideration of Freud as philosopher and shrink.

Pub Date: Sept. 25, 2007

ISBN: 978-1-58234-537-6

Page Count: 288

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2007

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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