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ONE FREEMAN'S WAR

Name: ONE FREEMAN'S WAR
Author: Mark Emery
ISBN: 978-0692360989

IN THE SECOND AMERICAN REVOLUTION

by Mark Emery ‧ RELEASE DATE: Feb. 27, 2015

Unpersuasive political fiction.

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Emery’s debut novel describes one man’s resistance toward the American government.

Unlikely revolutionary Rex Freeman grows up just like any other God-fearing, freedom-loving American: playing football, driving fast, and cheerfully challenging the status quo. Emory’s vision of this innocent America is evident in his description of Rex’s hometown, La Crescent, Minnesota: “This was a place where people worked hard to earn an honest living. They lived in decent homes, people raised their families, went to church….This is where life has its rewards. You put in a good work week and spent the weekend in the splendour in ‘God’s Country.’ Their lives were simple, of modest means and glorious.” After an unsatisfying career in corporate America, Freeman falls in with the Liberty Foundation, where he meets people victimized by the IRS. With his new friends, Freeman founds the American Law Club to keep citizens informed on ways to protect themselves against encroaching federal power. Digging ever deeper into America’s treasury of conspiracy theories, Freeman finds new ways to resist the government and spread his messages of liberty, poking at the sleeping federal giant and eventually incurring its wrath. Amid a cast of fringe revolutionaries of various stripes, Rex finds himself on the wrong side of the law and in danger of losing that which he holds dearest of all: his freedom. Emery claims several times that the novel is “based on actual experiences and events,” and the book certainly reads more like a memoir than a work of fiction, often with a tinge of self-mythologizing: “As Rex began to get a reputation in his local area he had the great pleasure of meeting another very prominent gladiator battling I.R.S. oppression.” The prose is riddled with tense shifts, unexpected British spellings, and a gross overuse of scare quotes employed with little sense of uniformity. As a narrative, the story oscillates between flat characterization and an aggressively simplistic worldview on one hand, and dry accounts of legal disputes and the tax system on the other. While Emery offers a few valid criticisms of America’s federal system, they are crowded in among so many instances of religiosity and paranoia as to render them nearly moot.

Unpersuasive political fiction.

Pub Date: Feb. 27, 2015

ISBN: 978-0692360989

Page Count: 384

Publisher: PCF World Mission LLC

Review Posted Online: June 3, 2015

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

GENERAL FICTION

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DISTANT SHORES

by Kristin Hannah ‧ RELEASE DATE: July 1, 2002

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

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Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).