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STOLEN WORDS

THE NAZI PLUNDER OF JEWISH BOOKS

The text is approachable and the material is invaluable. The written word prevails.

The odyssey of Jewish books in the wake of the Holocaust.

Robert Edsel’s The Monuments Men (2008) has increased awareness of Allied efforts to track down and save art and artifacts stolen by the Nazis. In a related but more specific vein, Glickman (Sacred Treasure—The Cairo Genizah: The Amazing Discoveries of Forgotten Jewish History in an Egyptian Synagogue Attic, 2010), a rabbi, traces the fate of Jewish books from the outset of Nazi vandalism through the course of World War II and beyond. While the Nazis were noted for burning books, the author explains that this wanton destruction was actually quite limited. The Nazis were far more interested in hoarding books owned by Jewish families, libraries, and institutions, and they did so by the millions. “The Nazis devoted so much attention to Jewish books because Germans were a bookish people,” writes Glickman, “and they understood the importance of the printed word to cultural identity and ethnic pride.” The Nazis hoped to destroy Jewish culture by stealing and suppressing its written words, but their motives did not end there. Representative of the Nazi penchant for pseudo-science, many Nazi scholars hoped to study Jewish texts for academic, yet misguided reasons. From a material perspective, they also mined book collections for rare and valuable specimens, much as was done with art during the same period. At the war’s end, the job of collecting, cataloging, and redistributing these books fell to a few dedicated scholars and professionals, including such important figures as Salo Baron and Hannah Arendt. Glickman has produced a provocative history that preserves this important yet often overlooked aspect of the Holocaust, and readers will come away with a valuable perspective on how the written word can be abused for the sake of cultural genocide. At times, the narrative is chronologically confusing, and the author’s voice can become a slight annoyance in an otherwise serious framework—e.g., a surprising plethora of exclamation marks.

The text is approachable and the material is invaluable. The written word prevails.

Pub Date: Feb. 1, 2016

ISBN: 978-0-8276-1208-2

Page Count: 312

Publisher: Jewish Publication Society

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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