The text is approachable and the material is invaluable. The written word prevails.

STOLEN WORDS

THE NAZI PLUNDER OF JEWISH BOOKS

The odyssey of Jewish books in the wake of the Holocaust.

Robert Edsel’s The Monuments Men (2008) has increased awareness of Allied efforts to track down and save art and artifacts stolen by the Nazis. In a related but more specific vein, Glickman (Sacred Treasure—The Cairo Genizah: The Amazing Discoveries of Forgotten Jewish History in an Egyptian Synagogue Attic, 2010), a rabbi, traces the fate of Jewish books from the outset of Nazi vandalism through the course of World War II and beyond. While the Nazis were noted for burning books, the author explains that this wanton destruction was actually quite limited. The Nazis were far more interested in hoarding books owned by Jewish families, libraries, and institutions, and they did so by the millions. “The Nazis devoted so much attention to Jewish books because Germans were a bookish people,” writes Glickman, “and they understood the importance of the printed word to cultural identity and ethnic pride.” The Nazis hoped to destroy Jewish culture by stealing and suppressing its written words, but their motives did not end there. Representative of the Nazi penchant for pseudo-science, many Nazi scholars hoped to study Jewish texts for academic, yet misguided reasons. From a material perspective, they also mined book collections for rare and valuable specimens, much as was done with art during the same period. At the war’s end, the job of collecting, cataloging, and redistributing these books fell to a few dedicated scholars and professionals, including such important figures as Salo Baron and Hannah Arendt. Glickman has produced a provocative history that preserves this important yet often overlooked aspect of the Holocaust, and readers will come away with a valuable perspective on how the written word can be abused for the sake of cultural genocide. At times, the narrative is chronologically confusing, and the author’s voice can become a slight annoyance in an otherwise serious framework—e.g., a surprising plethora of exclamation marks.

The text is approachable and the material is invaluable. The written word prevails.

Pub Date: Feb. 1, 2016

ISBN: 978-0-8276-1208-2

Page Count: 312

Publisher: Jewish Publication Society

Review Posted Online: Nov. 4, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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