Greaney could dial back the bloodletting a notch and still have an exciting story.
Futuristic robots take center stage in the Gray Man’s latest bloody adventure.
Courtland “the Gray Man” Gentry and Zoya Zakharova are lovers trying to enjoy a peaceful hideaway by Guatemala’s beautiful Lake Atitlán when a tiny drone with facial recognition capabilities tracks them down. A worldwide manhunt is underway for them, and Russia has a capture-or-kill order out on Zoya. For those just tuning in to the series, by the way, the twosome used to be mortal enemies. Now one of the planet’s most infamous killers for hire is after them, an evildoer named Scott Kincaid, aka Lancer. But on to the main plot: Multibillionaire Anton Hinton is building a lethal autonomous weapon driven by artificial intelligence. Strangely, over a 34-hour period, 10 people involved in AI and robotics have been murdered around the world. Hinton insists he’s just trying to bring some sanity into the world: With these machines engaging in any necessary fighting and doing so with perfect judgment, human wars could become a thing of the past. Wait a sec, just looking for the perfect cliche. Oh yes: What could possibly go wrong? Greaney, a terrific action writer, has jumped the shark (oops, another cliche; it won’t happen again, sorry) with a science fiction setup involving bomb-wielding hexacopters, rifle-wielding robot dogs, and a superintelligent creature named Cyrus who’s controlled by 800 IBM mainframe computers. So who will get control of this technology? China, maybe. Or, as series regular Zack Hightower says as he wipes his bloody nose, “America…. Fuck, yeah.” In a scene emblematic of the story’s chaos, Zoya lies in a dead man’s blood as the man’s left leg is hit, “and it snapped and shattered the bone there, bits of meat spraying in all directions.” And, in a contemplative moment with Zoya, Court says he just wants to be with her in peace, while he wonders if he’d “ever be able to stop killing motherfuckers who deserved to die.” Indeed, violence is the point of his life.
Greaney could dial back the bloodletting a notch and still have an exciting story.Pub Date: Feb. 20, 2024
ISBN: 9780593548141
Page Count: 528
Publisher: Berkley
Review Posted Online: Nov. 15, 2023
Kirkus Reviews Issue: Dec. 15, 2023
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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