A generation past Red October, the America-hating bad guys have added spyware, hacking, the dark web, and Bitcoins to those...
Greaney is at the helm of the action-adventure enterprise built by the military maestro from Maryland (Tom Clancy Commander In Chief, 2016, etc.), this time with a devious yet believable story about radical terrorist attacks in America.
Romanian hacker Alexandru Dalcu worms into a lost U.S. Office of Personnel Management file containing American security clearance applications. Dalcu’s techno-skulduggery employs open-source intel "fusing legal data with an illegal theft of data and then weaponizing the results." Wanting another price-boosting oil crisis, a rogue Saudi pays Dalcu to build dossiers on key American anti-terror fighters. The Saud then sells the info to Islamic State group honcho Abu Musa al-Matari. Abu recruits "cleanskins"—radical sympathizers unknown to security services—to strike the targets within America. The who-wants-to-kill-whom is further complicated because Dalcu and ARTD, his shady employer, had been hired for spy work by the People’s Republic of China, and they’re out for blood too. As previously, there’s a difficult buy-in: the chief protagonist is Jack Ryan Jr., son of longtime Clancy hero and now U.S. President Jack Ryan. Junior works (sans Secret Service) as an Uzi-toting operative for Hendley Associates, a private CIA–type company hiring out for blacker-than-black ops. Longtime Clancy characters like the indestructible Clark, Ding, and the president’s nephew, Dominic Caruso, are also Hendley agents. Newbie "Midas" Jankowski, former Delta Force op, adds one more iron-jawed one-dimensional terminator. Action around a female Army helicopter pilot/gunner in Iraq provides an additional minor thread as Hendley operatives Gulfstream from Bucharest to the Blue Ridge Mountains and the tense, fast-paced action reels out ripped-from-headlines homeland terror attacks.
A generation past Red October, the America-hating bad guys have added spyware, hacking, the dark web, and Bitcoins to those ubiquitous AK-47s.Pub Date: Dec. 6, 2016
ISBN: 978-0-399-17681-4
Page Count: 752
Publisher: Putnam
Review Posted Online: Nov. 23, 2016
Kirkus Reviews Issue: Dec. 1, 2016
An exciting, thought-provoking mind-bender.
In Crouch’s sci-fi–driven thriller, a machine designed to help people relive their memories creates apocalyptic consequences.
In 2018, NYPD Detective Barry Sutton unsuccessfully tries to talk Ann Voss Peters off the edge of the Poe Building. She claims to have False Memory Syndrome, a bewildering condition that seems to be spreading. People like Ann have detailed false memories of other lives lived, including marriages and children, but in “shades of gray, like film noir stills.” For some, like Ann, an overwhelming sense of loss leads to suicide. Barry knows loss: Eleven years ago, his 15-year-old daughter, Meghan, was killed by a hit-and-run driver. Details from Ann’s story lead him to dig deeper, and his investigation leads him to a mysterious place called Hotel Memory, where he makes a life-altering discovery. In 2007, a ridiculously wealthy philanthropist and inventor named Marcus Slade offers neuroscientist Helena Smith the chance of a lifetime and an unlimited budget to build a machine that allows people to relive their memories. He says he wants to “change the world.” Helena hopes that her mother, who suffers from Alzheimer’s, will benefit from her passion project. The opportunity for unfettered research is too tempting to turn down. However, when Slade takes the research in a controversial direction, Helena may have to destroy her dream to save the world. Returning to a few of the themes he explored in Dark Matter (2016), Crouch delivers a bullet-fast narrative and raises the stakes to a fever pitch. A poignant love story is woven in with much food for thought on grief and the nature of memories and how they shape us, rounding out this twisty and terrifying thrill ride.
An exciting, thought-provoking mind-bender.Pub Date: June 11, 2019
ISBN: 978-1-5247-5978-0
Page Count: 336
Publisher: Crown
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
Striking a far less hysterical tone than in The Shining, King has written his most sweeping horror novel in The Stand, though it may lack the spinal jingles of Salem's Lot. In part this is because The Stand, with its flow of hundreds of brand-name products, is a kind of inventory of American culture. "Superflu" has hit the U.S. and the world, rapidly wiping out the whole of civilization—excepting the one-half of one percent who are immune. Superflu is a virus with a shifting antigen base; that is, it can kill every type of antibody the human organism can muster against it. Immunity seems to be a gift from God—or the Devil. The Devil himself has become embodied in a clairvoyant called Randall Flagg, a phantom-y fellow who walks highways and is known variously as "the dark man" or "the Walking Dude" and who has set up a new empire in Las Vegas where he rules by fear, his hair giving off sparks while he floats in the lotus position. He is very angry because the immune folks in the Free Zone up at Boulder have sent a small force against him; they get their message from Him (God) through a dying black crone named Abigail, who is also clairvoyant. There are only four in this Boulder crew, led by Stu Redman from East Texas, who is in love with pregnant Fran back in the Free Zone. Good and Evil come to an atomic clash at the climax, the Book of Revelations working itself out rather too explicitly. But more importantly, there are memorable scenes of the superflu spreading hideously, Fifth Avenue choked with dead cars, Flagg's minions putting up fresh lightbulbs all over Vegas. . . . Some King fans will be put off by the pretensions here; most will embrace them along with the earthier chilis.
Pub Date: Nov. 3, 1978
ISBN: 0307743683
Page Count: 1450
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Nov. 1, 1978
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
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