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ALL THAT HEAVEN ALLOWS

A BIOGRAPHY OF ROCK HUDSON

An engrossing and carefully documented account of a beloved film icon’s life.

A thoughtful exploration of the career and elusive private life of Rock Hudson (1925-1985).

It’s surprising that in the three decades since Hudson’s death, there has been little written about him that could be considered comprehensive. Previous biographies came from past lovers and friends, and each seemed to have an agenda, often salacious. Griffin (A Hundred or More Hidden Things: The Life and Films of Vincente Minnelli, 2010) goes a long way toward rectifying this issue, casting a respectful light on some fresh as well as familiar details. The author begins with Hudson’s difficult childhood: Born Roy Scherer, he and his mother were abandoned by his father when he was just 5, and his mother would eventually remarry an abusive alcoholic. Griffin then moves on to his various jobs and his brief stint in the Navy before he arrived in Hollywood. Like Hudson’s friend Marilyn Monroe, his early recognition in Hollywood was largely attributed to his exceptional good looks, and he also experienced sexual exploitation on his path to stardom. He was taken under the wing of the powerful yet notoriously lecherous agent Henry Willson. After appearing in several largely forgettable films and signing a long-term contract with Universal Studios, Hudson established his mark as an accomplished actor and romantic lead under the guidance of talented directors such as Douglas Sirk and George Stevens. Yet it wasn’t until Pillow Talk (1959) that Hudson found his sweet spot as a versatile comedic actor. In the 1970s, he found renewed fame on TV as the star of the hit series McMillan & Wife. Griffin pays equal attention to Hudson’s private life as a sexually active yet closeted gay man, and he explores his complex relationships with both sexes. Throughout, he provides a balanced, multifaceted view of his subject. By the end of his life, having disclosed his exposure to HIV, his professional and private lives were forced to merge. Yet his death would bring much-needed recognition and funding to the AIDS epidemic.

An engrossing and carefully documented account of a beloved film icon’s life.

Pub Date: Dec. 4, 2018

ISBN: 978-0-06-240885-3

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 10, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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