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A poignantly told story of ruminative remembrance.

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In this debut novel, a writer reflects back on his tortured relationship with his father.

Walker Maguire’s dad, Michael, was an impressive man—an Air Force surgeon who rose to the rank of colonel and hospital commander. But then he was unceremoniously forced out of the military in 1969, 10 years before his retirement, and found work as a company doctor at an automotive plant. Embittered, he turned to alcohol and violently took his resentment out on Walker. As a grown man in 2005, Walker must deal with the fact that his father, now in his 90s, is in a coma due to a terrible car accident and likely to die soon. Walker flies out to Belford, the unspectacular factory town in northern Illinois that served as the stage of his father’s banishment from professional success. Walker is inspired to pen his reflections on his volatile connection with his father and begins to write a private memoir that draws him back to the fateful summer of 1974, when he held a job at the factory where his dad worked. There, Walker witnessed a confrontation between workers Norm Ditweiler and Manny Camarasa—the former the father of his ex-girlfriend and the latter a Latino laborer, resented by bigoted white co-workers. Walker was reluctant to share what he saw with anyone; he only had a privileged vantage point because he was goofing off in an unauthorized area. But when Manny’s livelihood was threatened, Walker was obliged to intervene, which pitted him against his father. In this novel, author Guerin beautifully captures the powerful contradictions of the relationship between father and son, which combines elements of friendship and antagonism. The author only gradually discloses Walker’s epiphanies about his dad, which not only transform the protagonist’s personal opinion of him, but also the future arc of his own life. The prose is confident and confessional throughout, and Guerin draws the reader into the compelling story by having Walker unflinchingly reveal his sense of disappointment in himself. Like the journalist he is, Walker clamors for the truth, whether it’s consoling or not.

A poignantly told story of ruminative remembrance.

Pub Date: Oct. 1, 2019

ISBN: 978-1-936135-71-4

Page Count: 535

Publisher: N/A

Review Posted Online: Jan. 10, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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