As entertaining and sweeping as an engrossing Hollywood epic, and a promising source for a great documentary.

PICTURES AT A REVOLUTION

FIVE MOVIES AND THE BIRTH OF THE NEW HOLLYWOOD

A wide-angle take on a major watershed period in American filmmaking.

Perceptive moviegoers knew that something was afoot in the late 1960s when 2001: A Space Odyssey, with its elliptical plot, mesmerizing images and ambiguous symbols, became one of the most attended and discussed films of the moment. Harris, who covers pop culture for Entertainment Weekly and other publications, chronicles what was going on. In his compelling narrative, the major “characters” become the five films nominated for the 1967 Best Picture Oscar: Guess Who’s Coming to Dinner, Bonnie and Clyde, In the Heat of the Night, The Graduate and Doctor Doolittle. Harris demonstrates how these films bespoke Hollywood’s past and future. Doctor Doolittle, a big-budget musical, and Guess Who’s Coming to Dinner, essentially a Spencer Tracy–Katharine Hepburn romantic comedy, despite a plot about interracial marriage, were traditional studio-era films. The Graduate, Bonnie and Clyde and, to some extent, In the Heat of the Night, introduced new cinematic techniques and structures, many imported from the works of European New Wave directors like François Truffaut and Jean-Luc Goddard. The groundbreaking films also dealt more directly than ever before with themes of violence, sexuality and racism. Harris vividly details the production histories, reaching back several years in some cases to examine how a cast of fascinating characters—inspired writers, determined actors, emerging directors—got these films going. With keen cultural perspective, Harris also shows how Bonnie, Clyde and Benjamin Braddock caught the tenor of the revolutionary ’60s and established, perhaps for the first time on these shores, a vital film culture.

As entertaining and sweeping as an engrossing Hollywood epic, and a promising source for a great documentary.

Pub Date: Feb. 18, 2008

ISBN: 978-1-59420-152-3

Page Count: 496

Publisher: Penguin Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 2007

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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