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THE TALE MAKER

A plot that carries no spare parts and a ``gentle reader'' style of address combine with Dickensian characters to give the feel of a classic to Harris's (Bang the Drum Slowly, 1956, etc.) small tale of a short story writer's struggle with an adversarial critic. Rimrose's career begins in 1963 at the college newspaper in University City where, following in his father's footsteps, he distinguishes himself with feisty reporting and parlous editorials and eventually earns a promotion to editor-in-chief. On discovering in his junior year that he is a short story writer at heart, Rimrose disappoints his practical dad by scrapping his budding journalism career for art. After graduation he marries classmate Lucy, and the two toil as writer and agent/editor, respectively, while hungry children amass as quickly as bills. Rimrose's critical successes—like being heralded by Esquire as a bright new talent and having his old college stories turned into a book—are not matched by financial ones. His fame is monitored and envied by Kakapick, the black-toothed, friendless hallmate of his college years whose confusion between truth and fiction cause him to stalk Lucy and whose quasi-Fascist plan to set standards for American literature is unwittingly facilitated by Rimrose. Kakapick's menace increases as his power does: He becomes chair of the English department at The University and hires Rimrose, who needs the steady salary. A struggle between the two mounts as the critic employs academic mind-police strategies to keep the writer's fame and output under his thumb. The novel abounds in satirical insights into the natures of the creative mind, writing, editing, publishing, and criticism. A wry, self-referential story that exalts the writer, trounces the critic, and avows that both are liars. Sic semper Mark Harris.

Pub Date: June 20, 1994

ISBN: 1-55611-397-8

Page Count: 256

Publisher: Donald Fine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1994

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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