Beauty and horror contend for dominance on nearly every powerful page.
A stunning collection of images from all fronts, all points of view, during the war to end all wars, 1914–1918.
Holborn (who has edited other photographic collections—e.g., George Harrison: Living in the Material World, 2011, etc.) and Roberts (head of Collections of the Imperial War Museums’ photography archive and co-editor of Cecil Beaton: Theatre of War, 2012) have assembled and precisely identified some 500 pages of images that will evoke every emotion of which a human is capable. They have written brief introductory and concluding essays—and even briefer introductions to each of the five major divisions—as well as multidimensional chronologies. But mostly, the images, arranged chronologically, speak eloquently for themselves. We see soldiers marching off to battle, enduring in trenches, lying wounded or dead, standing behind barbed wire in prison camps. We see them firing weapons, flying aircraft, riding horses, driving the first primitive tanks, sharing cigarettes and coffee, sleeping, wearing gas masks. We also see some photos from the homefront: laborers in a munitions factory, refugees on the road, a French child weeping in front of a damaged piano in the street. Most people we see are Everyman and Everywoman, but there are some arresting images of T.E. Lawrence, Kaiser Wilhelm and Baron von Richthofen (the Red Baron), among other notables. (Some of Lawrence’s own photographs are included.) The editors provide images of ships at sea—including submarines—of airplanes on the ground and aloft, of a zeppelin floating only feet above the ground. But what most depresses as the images amass their enormous cumulative power is the destruction—of life (9 million dead), of health (countless wounded), of property (a Madonna nearly knocked from the roof of a church) and of the natural world (forests fractured)—and some surprising beauty: artillery shells in flight by night.
Beauty and horror contend for dominance on nearly every powerful page.Pub Date: Oct. 31, 2013
ISBN: 978-0-385-35070-9
Page Count: 504
Publisher: Knopf
Review Posted Online: Sept. 10, 2013
Kirkus Reviews Issue: Oct. 1, 2013
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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