A repetitious wish-fulfillment fantasy.
In this first book of debut author Levin’s sci-fi trilogy, a time traveler from the far future starts a new life in the 21st century.
Capt. Jennifer Hero of the 30th century—who’s 44 but looks 21—is leading a mission to the 27th century, using a time machine that was invented by the late professor Zexton Ho, her former lover who was assassinated five years ago. The goal is to correct a genetic flaw in the Syndos—humans whose DNA is highly advanced but who dangerously lack empathy. However, Jennifer later abandons her team to live in 2015, determined to forget the past and her grief over Zexton’s death. In the South Pacific, she scuttles her “trans-time” submarine and eventually gets rescued by Marty Zitonick, who’s a professor of marine science at the University of Hawaii, and his crew. Jennifer feigns amnesia, and her education and experience as a spy helps her to maintain the illusion. A similar-looking girl, Jenny Heros, disappeared years ago, so Jennifer steps into her “trust-fund princess” life. At the University of Hawaii, she works on simultaneous doctorates in archaeology and physics. As she forges new relationships, she wonders whether her bisexual identity will be accepted, and later learns a surprising truth about her similarity to Jenny. The novel offers a potentially appealing mix of science, success, and multiple-partner sex (the “General Audience” of the subtitle doesn’t mean a G-rating). However, some scenes seem overly similar, as rescues serve as a primary plot device. Jennifer’s triumphs sometimes seem implausible, and there’s an overabundance of unnecessary detail, as when Jennifer and another character discuss their travel schedule: “It can take one and a half hours to drive to the hotel….So if we stop for a few photos that will add a half an hour.” The dialogue is sometimes amusing; at one point, for instance, Marty’s friend Alice calls Jennifer “Castaway Barbie.” But it can also be awkward, as when characters use stereotypical Australianisms, such as “crikey” and “fair dinkum.”
A repetitious wish-fulfillment fantasy.Pub Date: June 13, 2017
ISBN: 978-0-9989183-0-3
Page Count: 328
Publisher: Quantum Group Investments LLC
Review Posted Online: March 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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