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LIKE ANY NORMAL DAY

A STORY OF DEVOTION

Philadelphia Daily News writer Kram explores the complicated relationships among family, love, duty and assisted suicide.

During a football game in a small Pennsylvania town in 1973, Buddy Miley, an 18-year-old quarterback with plenty of athletic promise, suffered a devastating accident that  left him a quadriplegic. In 1997, with the help of his younger brother Jimmy, Miley died at the hands of Dr. Jack Kevorkian. Kram poignantly tracks the family’s emotional struggles following the accident. The author first met Miley in 1993 after Miley’s mother Rosemarie wrote a protest letter to Sports Illustrated after New York Jets defensive end Dennis Byrd suffered a spinal injury in a game. She decried football’s glamorization of violence and wondered if the NFL should “donate some of its profits to aid research into spinal cord injuries.” Kram’s editor urged him to visit Miley, sensing he might find a local angle to what had become a national debate on spinal-cord injuries. By the time the two men met, Miley had spent nearly 20 years, or “better than seven thousand days,” unable to care for himself. Rosemarie assumed the bulk of responsibility for her son’s care. “With no appreciable help from her husband,” writes Kram, “Rosemarie had soldiered on with the help of her other now-grown children.” Worried about his aging mother and his own deteriorating condition, Miley began contemplating suicide. Kram deftly reveals the intimate details of the story, and he delves into the complex and troubled Miley family dynamics with a skilled reporter’s eye. A heartbreaking story of love and dedication told with remarkable compassion and literary skill.  

 

Pub Date: April 24, 2012

ISBN: 978-0-312-65003-2

Page Count: 272

Publisher: St. Martin's

Review Posted Online: Feb. 12, 2012

Kirkus Reviews Issue: March 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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