Lamprell has written a lovely coming-of-age story about a middle-aged man who hurts, despairs, heals and comes to...
A middle-aged husband and father endures a year of agonizing discovery in this humorous twist on the coming-of-age novel, Lamprell’s debut.
Michael O’Dell, unemployed Australian movie critic, is hit by a car while jogging one summer day, and nothing is the same after. He dives into a depression that deepens as his wife, Wendy Weinstein, tries to mitigate his angst, while his children, Rosie and Declan, only heighten it by the simple act of being teenagers. Lamprell gets the dialogue, the interactions, the hopelessness-turned-ecstasy in families just right. The “full ridiculous” of the title is Michael’s description of the facts of his life in this story—most bittersweetly ridiculous is that it is a universal story for all families, anywhere. Lamprell uses a narrative technique that at first feels like stage direction. He has Michael narrate in the second person, where “you” is he, Michael. At first unnerving, over time, you, the reader, get the rhythm and, by the end, perhaps realize it is you, any one of us, whom this story is about. Michael says “[y]ou are an unremarkable man living an unremarkable life except for this single thing: you love and are splendidly loved.” To get to that realization, Michael takes one hilarious step after another, from his daughter’s potential expulsion from school to his son’s alleged drug use to Michael being criminally investigated for a toy pistol used in his son’s school film project. Michael, awash in depression and fear, does not see the joke, and while this story is a comic journey for us, it remains an angst-ridden discovery for Michael.
Lamprell has written a lovely coming-of-age story about a middle-aged man who hurts, despairs, heals and comes to understanding. A very funny and truthful novel.Pub Date: May 13, 2014
ISBN: 978-1-61902-295-9
Page Count: 256
Publisher: Soft Skull Press
Review Posted Online: Feb. 3, 2014
Kirkus Reviews Issue: Feb. 15, 2014
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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