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The Butcher's Daughter

A JOURNEY BETWEEN WORLDS

Opens with a gripping scene of murder, then careens through betrayal, piracy, passion, and treasure galore.

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In this swashbuckling debut adventure, a young girl witnesses the brutal murder of her father but ultimately grows up to be an influential and beloved 16th-century seafarer. 

Mary isn’t afraid of blood. She grew up with a butcher for a father and, after personally slaying one of his assassins the night of his murder, becomes something of an expert on the subject. After the man she has always assumed to be merely her elderly guardian bequeaths her a substantial sum from his deathbed, young Mary buys her first ship for smuggling purposes and begins her transformation into “Lady Mary,” a respected captain, lover of crewmate James Hunter, and treasure finder (as the trope goes, crossed palm trees mark the spot). As she later tells the queen of England in what becomes an extended narrative flashback, she’s not afraid to commandeer a vessel or two, especially if the captain of that vessel tries to interfere with her. After easily dispatching a fellow named Dowlin, she finds some quite cantankerous and surprisingly tough adversaries in the form of the Twins, “the Devil’s own offspring.” Will Lady Mary come out on top again, or will the Twins finally capsize this butcher’s daughter? With excellent pacing and a fondness for darkened tavern scenes, parlays at sea, and below-deck ravishings, the book is a pleasurable and action-packed read that caters heavily to the swashbuckling genre. The fact that Lady Mary is a woman adds a delicious spin to the otherwise tired clichés of male captains and their bosomy babes. In this case, Mary’s lover, Hunter, may not be the sharpest pencil in the pack, but he’s good at satisfying her, a role normally occupied by a hapless wench. Mary’s fraught back story lends her character an emotional resonance, and the joy of the open seas—as well as the danger churning below—pulses throughout this rip-roaring, hearty tale of the high seas.

Opens with a gripping scene of murder, then careens through betrayal, piracy, passion, and treasure galore.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: CreateSpace

Review Posted Online: July 29, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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