A small tale about an ordinary man—though one with unusual resonance for gay men who’ve outgrown “the scene.”
When his partner of 15 years leaves him, middle-aged gay Joel Lingeman is forced to come to terms with his past fantasies and reexamine things as they are.
Joel has lived on autopilot for years, sleepwalking through a passionless relationship and working in a dull Capitol Hill job that would offend his political sensibilities if he took it more seriously. But when Sam, his live-in lover, walks out, Joel is jolted into consciousness. In fits and starts, he attempts to build a new social life and to speak up at work. It isn’t easy to get back into the DC dating scene; he was never adept at meeting guys, and now—overweight, unkempt, and a bit long in the tooth—he’s having an even harder time. Meanwhile, on the Hill, nasty antigay legislation inches closer to becoming law, but Joel fails to appreciate the danger until it’s too late. Though he can’t muster the moxie to fix his love life or come out to Congress, Joel shows surprising determination in tracking down a swimsuit model who appeared in an ad in 1964, fueling Joel’s adolescent dreams and shaping his adult notions of physical desire. What he hopes to find by locating this man is a mystery, but the search itself helps him discover how he ended up where he did. Sometimes, Merlis posits, it’s necessary to look backward and make peace with our former selves to move forward. Less insightful than his dazzling debut, American Studies (1994), and less ambitious than An Arrow’s Flight (1998), but, still, this is carefully worded, with the author’s flair for subtle introspection and keen observation. The characters’ outward interactions may seem unremarkable, and the settings—Congress and gay bars—alternately comic and tragic, but Merlis reaches a level of thoughtful reflection that sings with poignancy.
A small tale about an ordinary man—though one with unusual resonance for gay men who’ve outgrown “the scene.”Pub Date: May 1, 2003
ISBN: 0-00-715611-1
Page Count: 368
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2003
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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