Next book

AMERICAN STUDIES

This ambitious and intelligent first novel by a D.C.-based gay writer focuses on the bad old days before Stonewall and one victim of the dual McCarthyisms of red-hunting and gay-baiting. Merlis has been trying unsuccessfully to finish and publish a first novel for many years, finally reaching his goal at 44, and this product of that struggle betrays its troubled origins only in its occasional verbosity. That is to say, it reads like the work of someone who has had a lot of writing bottled up in him for many years, not an entirely bad thing for a first novel. The book's narrator, Reeve, is a middle-level federal bureaucrat lying in a hospital bed after ``an especially unrewarding encounter with rough trade'' has left him battered and nearly blinded in one eye. Given so much time to reflect on his wasted life, the 62-year-old Reeve thinks back to his friend and mentor, Tom Slater, a prominent literary critic who committed suicide after being hounded by a '50s witch-hunt that threatened to expose his homosexuality and a former dalliance with the Communist Party. Reeve slowly recounts his friendship with Slater (based loosely on F.O. Matthiessen, who virtually created the field of American Studies in the 1940s), his own ambivalent coming to terms with his gayness, and the events that led to Slater's suicide. All of this is intermingled with a no less detailed recollection of the night that landed the narrator in his current predicament, on the verge of losing his job and his apartment. All of the events are retold with a bitter, wry humor that leads gradually to a surprising and thoroughly satisfying denouement. In spite of being a little too long and sometimes overwritten, this is a substantial first novel and one that promises much from its author.

Pub Date: Sept. 9, 1994

ISBN: 0-395-68992-9

Page Count: 275

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1994

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Close Quickview