An accomplished chronicler of baseball's Negro Leagues (Don't Look Back: Satchel Paige in the Shadows of Baseball, 1994, etc.) attempts to reclaim from myth the true character of a man best known as the ``Black Babe Ruth.'' Between 1928 and 1946, a time that featured such greats as Leroy ``Satchel'' Paige, Judy Johnson, and ``Cool Papa'' Bell, Josh Gibson was possibly black baseball's greatest attraction. Gibson's career spanned what, for all black players, were times of famine, feast, and, later, uncertainty arising from the major leagues' eradication of the color barrier. Through careful and facile use of a wealth of first- and second-hand accounts (including interviews with the slugger's son Josh Jr.), the author exposes to a wide audience for the first time how Gibson hid his indiscretions behind the massive shadow of his own fame and imposing physique. Persistent image-mongering by the black and white media of the `30s and his bosses, team-owners Cumberland ``Cum'' Posey of the Homestead Grays and W. Augustus ``Gus'' Greenlee of the Crawfords, kept Gibson's drinking, drug use, and womanizing out of the spotlight until they finally overwhelmed him, contributing to this death in 1947 from a stroke; he was 35. Ribowsky places the roots of Gibson's self-destructiveness in his inability to face emotional crises—including his wife Helen's sudden death in childbirth in 1930 and the manipulation by black and white organizers and promoters throughout his career—as defiantly as he faced the best pitchers of the day. The temptations of life on the road were also a factor (when not playing in the Negro Leagues, Gibson barnstormed off-season and played winter ball in Latin America). Ribowsky lays bare Gibson's ``tortured soul.'' This exemplary and long-overdue work demonstrates that Gibson took himself out of the game, or as the author writes in his closing, ``like Achilles, he had no defense against his own mortal flaw: himself.''
Pub Date: May 1, 1996
ISBN: 0-684-80402-6
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1996
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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